The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
than a well. The tree once gone, its part in the ceremony would drop
out, or be transferred to the well. But the original rite would include
them both. The visitant, for instance, would dip in the well, and then
creep under or through the tree, a double ritual which seems to survive
in the most curious of all the dramatic games of children, ‘Draw a Pail
of Water[403].’
The private cult of the fertilization spirit is not, of course, tied
to fixed seasons. Its occasion is determined by the needs of the
worshipper. But it is noteworthy that the efficacy of some holy wells
is greatest on particular days, such as Easter or the first three
Sundays in May. And in many places the wells, whether ordinarily
held ‘holy’ or not, take an important place in the ceremonies of the
village festival. The ‘gospel wells’ of the Rogation processions, and
the well to which the ‘Bezant’ procession goes at Shaftesbury are
cases in point; while in Derbyshire the ‘well-dressings’ correspond
to the ‘wakes,’ ‘rushbearings,’ and ‘Mayings’ of other districts.
Palm Sunday and Easter Sunday, as well as the Rogation days, are in a
measure Christian versions of the heathen agricultural feasts, and it
is not, therefore, surprising to find an extensive use of holy water
in ecclesiastical ritual, and a special rite of _Benedictio Fontium_
included amongst the Easter ceremonies[404]. But the Christian custom
has been moralized, and its avowed aim is purification rather than
prosperity.
The ordinary form of heat-charm was to build, in semblance of the sun,
the source of heat, a great fire[405]. Just as in the rain-charm the
worshippers must be literally sprinkled with water, so, in order that
they may receive the full benefits of the heat-charm, they must come
into direct physical contact with the fire, by standing in the smoke,
or even leaping through the flames, or by smearing their faces with the
charred ashes[406]. The cattle too must be driven through the fire, in
order that they may be fertile and free from pestilence throughout the
summer; and a whole series of observances had for their especial object
the distribution of the preserving influence over the farms. The fires
were built on high ground, that they might be visible far and wide. Or
they were built in a circle round the fields, or to windward, so that
the smoke might blow across the corn. Blazing arrows were shot in the
air, or blazing torches carried about. Ashes were sprinkled over the
fields, or mingled with the seed corn or the fodder in the stall[407].
Charred brands were buried or stuck upright in the furrows. Further, by
a simple symbolism, the shape and motion of the sun were mimicked with
circular rotating bodies. A fiery barrel or a fiery wheel was rolled
down the hill on the top of which the ceremony took place. The lighted
torches were whirled in the air, or replaced by lighted disks of wood,
flung on high. All these customs still linger in these islands or in
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