The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
In whatever way human sacrifice originated, it was obviously destined,
with the advance of civilization, to undergo modification. Not only
would the growing moral sense of mankind learn to hold it a dark and
terrible thing, but also to go on killing the leading man of the tribe,
the king-priest, would have its obvious practical inconveniences. At
first, indeed, these would not be great. The king-priest would be
little more than a rain-maker, a _rex sacrorum_, and one man might
perform the ceremonial observances as well as another. But as time went
on, and the tribe settled down to a comparatively civilized life, the
serious functions of its leader would increase. He would become the
arbiter of justice, the adviser in debate; above all, when war grew
into importance, the captain in battle. And to spare and replace, year
by year, the wisest councillor and the bravest warrior would grow into
an intolerable burden. Under some such circumstances, one can hardly
doubt, a process of substitution set in. Somebody had to die for the
king. At first, perhaps, the substitute was an inferior member of the
king’s own house, or even an ordinary tribesman, chosen by lot. But
the process, once begun, was sure to continue, and presently it was
sufficient if a life of little value, that of a prisoner, a slave,
a criminal, a stranger within the gates, was sacrificed[445]. The
common belief in madness or imbecility as a sign of divine possession
may perhaps have contributed to make the village fool or natural
seem a particularly suitable victim. But to the very end of Teutonic
and Keltic heathenism, the sense that the substitute was, after all,
only a substitute can be traced. In times of great stress or danger,
indeed, the king might still be called upon to suffer in person[446].
And always a certain pretence that the victim was the king was kept
up. Even though a slave or criminal, he was for a few days preceding
the sacrifice treated royally. He was a temporary king, was richly
dressed and feasted, had a crown set on his head, and was permitted to
hold revel with his fellows. The farce was played out in the sight of
men and gods[447]. Ultimately, of course, the natural growth of the
sanctity of human life in a progressive people, or in an unprogressive
people the pressure of outside ideals[448], forbids the sacrifice of
a man at all. Perhaps the temporary king is still chosen, and even
some symbolic mimicked slaying of him takes place; but actually he does
not die. An animal takes his place upon the altar; or more strictly
speaking, an animal remains the last victim, as it had been the first,
and in myth is regarded as a substitute for the human victim which for
a time had shared its fate. Of such a myth the legends of Abraham and
Isaac and of Iphigeneia at Aulis are the classical examples.
Public-domain text, read in full here on John Shaqi.
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