The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
The instinct of play found a foothold at the village feast in the
débris which ritual, in its gradual transformation, left behind. It has
already been noted as a constant feature in the history of institutions
that a survival does not always remain merely a survival; it may be its
destiny, when it is emptied of its first significance, to be taken up
into a different order of ideas, and to receive a new lease of vitality
under a fresh interpretation. Sacrifice ceases to be sacrament and
becomes oblation. Dipping and smoking customs, originally magical, grow
to be regarded as modes of sacrificial death. Other such waifs of the
past become the inheritance of play. As the old conception of sacrifice
passed into the new one, the subsidiary rites, through which the
sacramental influence had of old been distributed over the worshippers
and their fields, although by no means disused, lost their primitive
meaning. Similarly, when human sacrifice was abolished, that too left
traces of itself, only imperfectly intelligible, in mock or symbolical
deaths, or in the election of the temporary king. Thus, even before
Christianity antiquated the whole structure of the village festivals,
there were individual practices kept alive only by the conservatism of
tradition, and available as material for the play instinct. These find
room in the festivals side by side with other customs which the same
instinct not only preserved but initiated. Of course, the antithesis
between play and cult must not be pushed too far. The peasant mind is
tenacious of acts and forgetful of explanations; and the chapters to
come will afford examples of practices which, though they began in
play, came in time to have a serious significance of quasi-ritual, and
to share in the popular imagination the prestige as fertility charms
of the older ceremonies of worship with which they were associated.
The _ludi_ to be immediately discussed, however, present themselves
in the main as sheer play. Several of them have broken loose from the
festivals altogether, or, if they still acknowledge their origin by
making a special appearance on some fixed day, are also at the service
of ordinary amusement, whenever the leisure or the whim of youth may so
suggest.
Public-domain text, read in full here on John Shaqi.
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