The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
The distinction between a popular and a literary or heroic type of
personification which was noticeable in the sword-dances persists in
the folk-plays founded upon them. Both in the Revesby play and in the
Plough Monday plays, the drama is carried on by personages resembling
the ‘grotesques’ of the sword-and morris-dances[742]. There are no
heroic characters. The death is of the nature of an accident or an
execution. On the other hand, in the ‘mummers’ play’ of St. George, the
heroes take once more the leading part, and the death, or at least one
of the deaths, is caused by a fight amongst them. This play is far more
widely spread than its rivals. It is found in all parts of England, in
Wales, and in Ireland; in Scotland it occurs also, but here some other
hero is generally substituted as protagonist for St. George[743]. The
following account is based on the twenty-nine versions, drawn from
chap-books or from oral tradition, enumerated in the bibliographical
note. The list might, doubtless, be almost indefinitely extended. As
will soon be seen, the local variations of the play are numerous. In
order to make them intelligible, I have given in full in an appendix
a version from Lutterworth in Leicestershire. This is chosen, not as
a particularly interesting variant, for that it is not, but on the
contrary as being comparatively colourless. It shows very clearly and
briefly the normal structure of the play, and may be regarded as the
type from which the other versions diverge[744].
Public-domain text, read in full here on John Shaqi.
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