The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
their swords, and by ‘Dick Fools,’ in motley and decked with cats’
tails and small bells. There is one more point of interest about the
Norwich guild. In the fifteenth century it included many persons of
distinction in Norfolk. Sir John Fastolf gave it an ‘angell silver and
guylt.’ And amongst the members in 1496 was Sir John Paston. I have
already quoted the lament in the _Paston Letters_ over William Woode,
the keeper, whom the writer ‘kepyd thys iij yer to pleye Seynt Jorge
and Robyn Hod and the Shryff off Nottyngham,’ and who at a critical
moment went off to Bernysdale and left his master in the lurch[774]. I
have also identified his Robin Hood play, and now it becomes apparent
where he played ‘Seynt Jorge.’ It is curious how the fragments of the
wreckage of time fit into one another. The riding of the George is not
peculiar to Norwich. We find it at Leicester[775], at Coventry[776],
at Stratford[777], at Chester[778], at York, at Dublin[779]. An
elaborate programme for the Dublin procession is preserved. It included
an emperor and empress with their train, St. George on horse-back, the
dragon led by a line and the king and queen of Dele. But no princess is
mentioned. The ‘may’ or maiden figured at York, however, and there was
also a St. Christopher. At other places, such as Reading, Aston[780]
and Louth[781], an equestrian figure, called a ‘George,’ is known to
have stood on a ‘loft’ in the church, and here, too, an annual ‘riding’
may be presumed.
There is no proof that the dramatic element in these ‘ridings’ was
anything more than a _mystère mimé_, or pageant in dumb show. On the
other hand, there were places where the performance on St. George’s
day took the form of a regular miracle-play. The performance described
by Collier as taking place before Henry V and the Emperor Sigismund at
Windsor in 1416 turns out on examination of Collier’s authority to be
really a ‘soteltie,’ a cake or raised pie of elaborate form. But the
town of Lydd had its St. George play in 1456, and probably throughout
the century; while in 1490 the chaplain of the guild of St. George at
New Romney went to see this Lydd play with a view to reproducing it at
the sister town. In 1511 again a play of St. George is recorded to have
been held at Bassingbourne in Cambridgeshire, not on St. George’s, but
on St. Margaret’s day[782].
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account