The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
from assisting at the election of his successor, was referred to
the ex-‘patriarch.’ In this same year canons, vicars, chaplains and
_habitués_ of the cathedral were forbidden to appear at the farces of
the _fête des ânes_[1072]. In 1531 the ‘patriarch’ Théobald Bucquet,
recovered the right to play comedies and _jeux_ and to take the
absentee fines; but in 1541 Absalon Bourgeois was refused leave _pour
faire semblant de dire la messe à liesse_. The feast was cut down to
the bare election of the ‘patriarch’ in 1560, and seems to have passed
into the hands of a _confrérie_; all that was retained in the cathedral
being the _Primes folles_ on Epiphany eve, in which the laity occupied
the high stalls, and all present wore crowns of green leaves.
At Rheims, a Feast of Fools in 1490 was the occasion for a satirical
attack by the vicars and choir-boys on the fashion of the hoods
worn by the _bourgeoises_. This led to reprisals in the form of
some anti-ecclesiastical farces played on the following _dimanche
des Brandons_ by the law clerks of the Rheims _Basoche_[1073]. At
Châlons-sur-Marne a detailed and curious account is preserved of
the way in which the Feast of Fools was celebrated in 1570[1074].
It took place on St. Stephen’s day. The chapter provided a banquet
on a theatre in front of the great porch. To this the ‘bishop of
Fools’ was conducted in procession from the _maîtrise des fous_,
with bells and music upon a gaily trapped ass. He was then vested
in cope, mitre, pectoral cross, gloves and crozier, and enjoyed a
banquet with the canons who formed his ‘household.’ Meanwhile some of
the inferior clergy entered the cathedral, sang gibberish, grimaced
and made contortions. After the banquet, Vespers were precipitately
sung, followed by a _motet_[1075]. Then came a musical cavalcade round
the cathedral and through the streets. A game of _la paume_ took
place in the market; then dancing and further cavalcades. Finally
a band gathered before the cathedral, howled and clanged kettles
and saucepans, while the bells were rung and the clergy appeared in
grotesque costumes.
Public-domain text, read in full here on John Shaqi.
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