The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
University of Paris to take action, even if necessary, by calling in
the secular arm[1094]. It was better to reform themselves than to
be reformed. It was then agreed to suppress the abuses of the feast,
the sermons and the wearing of unecclesiastical garb, and to hold
nothing but a _festum subdiaconorum_ on the day of the Circumcision.
Outside the church, however, the clergy might dance and promenade
(_chorizare ... et ... spatiare_) on the _place_ of St. Stephen’s.
These regulations were disregarded, on the plea that they were intended
to apply only to the year in which they were made. In 1407 the chapter
declared that they were to be permanent, but strong opposition was
offered to this decision by three canons, Jean Piqueron, himself a
sub-deacon, Jean Bonat, and Jean Berthome, who maintained that the
_concordat_ with the bishop was for reform, not for abolition. The
matter was before the chapter for the last time, so far as the extant
documents go, in 1411. On January 2, the dean reported that in spite
of the prohibition certain _canonici tortrarii_[1095], chaplains and
choir-clerks had held the feast. A committee of investigation was
appointed, and in December the prohibition was renewed. Jean Piqueron
was once more a protestant, and on this occasion obtained the support
of five colleagues[1096]. It may be added that in the sixteenth century
an _abbas stultorum_ was still annually elected on July 18, beneath a
great elm at the porch of Auxerre cathedral. He was charged with the
maintenance of certain small points of choir discipline[1097].
Public-domain text, read in full here on John Shaqi.
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