The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
Now I would point out that this inversion of status so characteristic
of the Feast of Fools is equally characteristic of folk-festivals.
What is Dr. Frazer’s mock king but one of the meanest of the people
chosen out to represent the real king as the priest victim of a divine
sacrifice, and surrounded, for the period of the feast, in a naïve
attempt to outwit heaven, with all the paraphernalia and luxury of
kingship? Precisely such a mock king is the _dominus festi_ with whom
we have to do. His actual titles, indeed, are generally ecclesiastical.
Most often he is a ‘bishop,’ or ‘prelate’ (Senlis); in metropolitan
churches an ‘archbishop,’ in churches exempt from other authority
than that of the Holy See, a ‘pope’ (Amiens, Senlis, Chartres). More
rarely he is a ‘patriarch’ (Laon, Avallon), a ‘cardinal’ (Paris,
Besançon), an ‘abbot’ (Vienne, Viviers, Romans, Auxerre)[1151], or is
even content with the humbler dignity of ‘precentor,’ ‘_bacularius_’
or ‘_bâtonnier_’ (Sens, Dijon). At Autun he is, quite exceptionally,
‘Herod.’ Nevertheless the term ‘king’ is not unknown. It is found at
Noyon, at Vienne, at Besançon, at Beverley, and the council of Basle
testifies to its use, as well as that of ‘duke.’ Nor is it, after all,
of much importance what the _dominus festi_ is called. The point is
that his existence and functions in the ecclesiastical festivals afford
precise parallels to his existence and functions in folk-festivals all
Europe over.
Besides the ‘king’ many other features of the folk-festivals may
readily be traced at the Feast of Fools. Some here, some there, they
jot up in the records. There are dance and _chanson_, _tripudium_ and
_cantilena_ (Noyon, Châlons-sur-Marne, Paris theologians, council of
Basle). There is eating and drinking, not merely in the refectory,
but within or at the doors of the church itself (Paris theologians,
Beauvais, Prague). There is ball-playing (Châlons-sur-Marne).
There is the procession or cavalcade through the streets (Laon,
Châlons-sur-Marne, &c.). There are torches and lanterns (Sens,
Tournai). Men are led _nudi_ (Sens); they are whipped (Tours); they
are ceremonially ducked or roasted (Sens, Tournai, Vienne, _les
Gaigizons_ at Autun)[1152]. A comparison with earlier chapters of the
present volume will establish the significance which these points,
taken in bulk, possess. Equally characteristic of folk-festivals
is the costume considered proper to the feasts. The riotous clergy
wear their vestments inside out (Antibes), or exchange dress with
the laity (Lincoln, Paris theologians). But they also wear leaves or
flowers (Sens, Laon, Cologne) and women’s dress (Paris theologians);
and above all they wear hideous and monstrous masks, _larvae_ or
_personae_ (decretal of 1207, Paris theologians, council of Basle,
Paris, Soissons, Laon, Lille). These masks, indeed, are perhaps the
one feature of the feast which called down the most unqualified
condemnation from the ecclesiastical authorities. We shall not be far
Public-domain text, read in full here on John Shaqi.
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