The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
I cannot pretend to give a complete account of all the French
examples of the Boy Bishop with which I have met, and it is the less
necessary, as the feast seems to have been far more popular and
enduring in England than the Feast of Fools. I content myself with
giving references for its history at Amiens[1219], St. Quentin[1220],
Senlis[1221], Soissons[1222], Roye[1223], Peronne[1224], Rheims[1225],
Brussels[1226], Lille[1227], Liège[1228], Laon[1229], Troyes[1230],
Mans[1231], Bourges[1232], Châlons-sur-Saône[1233], Grenoble[1234]. Not
unnaturally it proved less of a scandal to ecclesiastical reformers
than the Feast of Fools; for the choir-boys must have been more
amenable to discipline, even in moments of festivity, than the adult
clerks. But it shared in the general condemnation of all such customs,
and was specifically arraigned by more than one council, rather perhaps
for puerility than for any graver offence[1235]. Gradually therefore,
it vanished, leaving only a few survivals to recent centuries[1236].
As was the case with the Feast of Fools, the question of its
suppression sometimes set a chapter by the ears. Notably was this so
at Noyon, where the act of his reforming colleagues in 1622 was highly
disapproved of by the dean, Jacques Le Vasseur. In a letter written on
the occasion he declares that the Boy Bishop had flourished in Noyon
cathedral for four hundred years, and brands the reformers as brute
beasts masquerading in the robes and beards of philosophy[1237].
Public-domain text, read in full here on John Shaqi.
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