The mediaeval stage, volume 2 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 2 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
It stood on a ‘foist’ near the lord mayor’s barge,
and in another ‘foist’ was a mount, and on the mount Anne’s device, a
falcon on a root of gold with white roses and red. The pageants for the
progress by land on the following day were of children ‘apparelled like
merchants,’ of Mount Parnassus, of the falcon and mount once more, with
Saint Anne and her children, of the three Graces, of Pallas, Juno, Venus,
and Mercury with the golden apple, of three ladies, and of the Cardinal
Virtues[506]. The next great show was at the coronation of Edward VI
in 1547, and included Valentine and Orson, Grace, Nature, Fortune and
Charity, Sapience and the seven Liberal Sciences, Regality enthroned with
Justice, Mercy and Truth, the Golden Fleece, Edward the Confessor and
St. George, Truth, Faith, and Justice. There was also a cunning Spanish
rope-dancer, who performed marvels on a cord stretched to the ground
from the tower of St. George’s church in St. Paul’s churchyard[507].
Mary, in 1553, enjoyed an even more thrilling spectacle in ‘one Peter
a Dutchman,’ who stood and waved a streamer on the weathercock of St.
Paul’s steeple. She had eight pageants, of which three were contributed
by the Genoese, Easterlings, and Florentines. The subjects are unknown,
but that of the Florentines was in the form of a triple arch and had
on the top a trumpeting angel in green, who moved his trumpet to the
wonder of the crowd[508]. There were pageants again when Mary brought her
Spanish husband to London in 1554. At the conduit in Gracechurch Street
were painted the Nine Worthies. One of these was Henry VIII, who was
represented as handing a bible to Edward; and the unfortunate painter was
dubbed a knave and a rank traitor and villain by Bishop Gardiner, because
the bible was not put in the hands of Mary[509]. At the coronation of
Elizabeth in 1559, with which this list must close, it was Time and
Truth who offered the English bible to the queen. The same pageant had
representations of a Decayed Commonwealth and a Flourishing Commonwealth,
while others figured the Union of York and Lancaster, the Seat of Worthy
Governance, the Eight Beatitudes, and Deborah the Judge. At Temple
Bar, those ancient _palladia_ of London city, the giants Gotmagot and
Corineus, once more made their appearance[510].
Public-domain text, read in full here on John Shaqi.
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