The mediaeval stage, volume 2 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 2 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
A new note, of acute and even violent controversy, was introduced
into the Protestant drama by the fiery heretic, Thomas Kirchmayer, or
Naogeorgos. Kirchmayer wrote several plays, but the most important from
the present point of view is that of _Pammachius_ (1538), written during
his pastorate of Sulza in Thuringia before his extreme views had led,
not merely to exile from the Empire, but also to a quarrel with Luther.
The _Pammachius_ goes back to one of the most interesting, although of
course not one of the most usual, themes of mediaeval drama, that of
Antichrist; and it will readily be conceived that, for Kirchmayer, the
Antichrist is none other than the Pope. It is interesting to observe
that the play was dedicated to Archbishop Cranmer, whose reforming
_Articles_ of 1536 had roused the expectations of Protestant Germany. It
was translated into English by John Bale, and was certainly not without
influence in this country[650].
Both the merely edifying and the controversial type of Lutheran drama,
indeed, found its English representatives. To the former belong the
_Christus Redivivus_ (1543) and the _Archipropheta_ (1548) of the Oxford
lecturer, Nicholas Grimald, one of which deals, somewhat exceptionally
at this period, with the Resurrection, the other with John the Baptist.
The _Absalon_ of Thomas Watson, the _Jephthes_ of John Christopherson
(1546)[651], and the _Sodom_, _Jonah_, _Judith_, _Job_, _Susanna_,
and _Lazarus and Dives_ of Ralph Radclif (1546-56)[652], can only
conjecturally be put in this class; and Nicholas Udall, who wrote an
_Ezechias_ in English, certainly did not commit himself irrecoverably in
the eyes of good Catholics. John Palsgrave’s _Ecphrasis_ or paraphrase of
_Acolastus_ (1540) is supplied with grammatical notes, and is conceived
wholly in the academic interest. On the other hand controversy is
suggested in the titles of Radclif’s _De Iohannis Hussi Damnatione_, and
of the _De Meretrice Babylonica_ ascribed by Bale to Edward VI[653],
and is undeniably present in the _Christus Triumphans_ (1551) of John
Foxe, the martyrologist. This, like _Pammachius_, to which it owes much,
belongs to the Antichrist cycle.
Public-domain text, read in full here on John Shaqi.
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