The mediaeval stage, volume 2 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 2 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
Letters patent of John of Gaunt dated 1380 and confirmed by an
‘inspeximus’ of Henry VI in 1443 assigned ‘le roy des ministralx’ in the
honour of Tutbury to arrest all minstrels within the honour not doing
service on the feast of the Assumption. It was a custom that the prior
of Tutbury should provide a bull for a bull-running by the assembled
minstrels on this feast. The court was still held by an annual ‘king of
the fiddlers,’ with the steward and bailiff of the honour (including
Staffs., Derby, Notts., Leicester, and Warwick), at the end of the
seventeenth century, and the minstrels claimed to be exempt, like
those of Chester, from vagrancy legislation. But their rights were not
reserved, either by the Charter of 1469 or the Vagrant Acts[684].
The first English craft guild of minstrels is later by a century and a
half than that of Paris.
3. _London._
A charter of Edward IV (1469), ‘ex querelosa insinuatione dilectorum
nobis Walteri Haliday, marescalli [and seven others] ministrallorum
nostrorum,’ declares that ‘nonnulli rudes Agricolae et Artifices
diversarum Misterarum Regni nostri Angliae finxerunt se fore
Ministrallos. Quorum aliqui Liberatam nostram, eis minime datam,
portarunt, seipsos etiam fingentes esse Ministrallos nostros proprios.
Cuius quidem Liberatae ac dictae Artis sive Occupationis Ministrallorum
colore in diversis Partibus Regni nostri praedicti grandes Pecuniarum
Exactiones de Ligeis nostris deceptive colligunt et recipiunt.’ Hence
illegitimate competition with the real minstrels, decay of the art, and
neglect of agriculture. The charter then does two things. It makes the
royal minstrels a corporation with a marshall elected by themselves, and
it puts them at the head of a ‘Fraternitatem sive Gildam’ of minstrels
already existing in the chapel of the Virgin in St. Paul’s, and in
the royal free chapel of St. Anthony. All minstrels in the country
are to join this guild or be suppressed. It is to have two _custodes_
and to make statutes and ordinances. The jurisdiction of Dutton over
Chester minstrels is, as already stated, reserved[685]. A ‘serviens’ or
‘serjeant’ seems to have been an officer of the guild[686]. With this
exception nothing more is heard of it until 1594, when a dispute as
to the office of the Master of the Musicians’ Company called for the
intervention of the Lord Keeper[687].’ In 1604 the Company received a
new charter, which gave it jurisdiction within the city and a radius
of three miles from its boundaries. It was further restricted to the
city itself under Charles I. It still exists as the Corporation of the
Master, Wardens, and Commonalty of the Art or Science of the Musicians of
London[688].
Public-domain text, read in full here on John Shaqi.
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