The mediaeval stage, volume 2 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 2 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
‘The six stand in rank with their swords reclining on their shoulders.
The Master (Saint George) dances, and then strikes the sword of James
of Spain, who follows George, then dances, strikes the sword of
Dennis, who follows behind James. In like manner the rest—the music
playing—swords as before. After the six are brought out of rank, they
and the Master form a circle, and hold the swords point and hilt. This
circle is danced round twice. The whole, headed by the Master, pass
under the swords held in a vaulted manner. They jump over the swords.
This naturally places the swords across, which they disentangle by
passing under their right sword. They take up the seven swords, and
form a circle, in which they dance round.
‘The Master runs under the sword opposite, which he jumps over
backwards. The others do the same. He then passes under the right-hand
sword, which the others follow, in which position they dance, until
commanded by the Master, when they form into a circle, and dance round
as before. They then jump over the right-hand sword, by which means
their backs are to the circle, and their hands across their backs. They
dance round in that form until the Master calls “Loose,” when they pass
under the right sword, and are in a perfect circle.
‘The Master lays down his sword, and lays hold of the point of James’s
sword. He then turns himself, James, and the others, into a clew. When
so formed, he passes under out of the midst of the circle; the others
follow; they vault as before. After several other evolutions, they
throw themselves into a circle, with their arms across the breast.
They afterwards form such figures as to form a shield of their swords,
and the shield is so compact that the Master and his knights dance
alternately with this shield upon their heads. It is then laid down
upon the floor. Each knight lays hold of their former points and hilts
with their hands across, which disentangle by figuirs directly contrary
to those that formed the shield. This finishes the ballet.
‘EPILOGUE.
‘Mars does rule, he bends his brows,
He makes us all agast[702];
After the few hours that we stay here,
Venus will rule at last.
Farewell, farewell, brave gentles all,
That herein do remain,
I wish you health and happiness
Till we return again.
[_Exeunt._’
The manuscript from which the above was copied was transcribed from _a
very old one_, by Mr. William Henderson, jun., of Papa Stour, in Zetland.
Mr. Henderson’s copy is not dated, but bears his own signature, and, from
various circumstances, it is known to have been written about the year
1788.
K
THE LUTTERWORTH ST. GEORGE PLAY
Public-domain text, read in full here on John Shaqi.
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