The mediaeval stage, volume 2 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 2 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
In quo reu_er_tant ad angelum quasi mandatu_m_ suu_m_ ad imple_n_du_m_
parate simul dicentes[731]:
Eya! pergamus propere
Mandatum hoc perficere!
Int_er_im ueniant ad ingressu_m_ cho_ri_ due p_er_sone nude pedes sub
personis ap_osto_lo_rum_ Iohannis _et_ Pet_ri_ indute albis sine paruris
cu_m_ tunicis, quo_rum_ Ioh_ann_es amictus tunica alba palma_m_ in manu
gestans, Petrus uero rubea tunica indutus claues in manu ferens[732];
_et_ p_re_dicte mulieres de sepulcro reuertentes _et_ quasi de choro
simul exeuntes, dicat prima Maria [733]p_er_ se[733] sequentiam:
Victime paschali laudes
Immolant _Christ_iani.
Agnus redemit oues:
Christus innocens Patri
Reconsiliauit peccatores.
Mors et uita duello
Conflixere mirando:
Dux uite mortuis[734]
Regnat uiuus.
Tu_n_c obuiantes eis in medio chori predicti discipuli, interrogantes
simul dicant:
Dic nobis, Maria,
Quid uidisti in uia?
Tu_n_c p_ri_ma Maria respondeat quasi monstrando:
Sepulcrum _Christi_ uiuentis
Et gloriam uidi resurgentis.
Tu_n_c ij Maria r_espon_det si_mi_l_iter_[735] mo_n_strando:
Angelicos testes,
Sudarium et uestes.
Tunc iij[736] M_a_ria respondeat:
Surrexit _Christus_, spes nostra,
Precedet uos in Galileam.
Et sic p_ro_cedant sim_u_l ad ostium chori; int_er_im[737] currant duo
ad monumentu_m_; ueru_m_ptamen ille discip_u_l_u_s que_m_ diligebat
Ih_esus_ uenit p_ri_or ad monume_n_tu_m_, iuxta eu_a_ng_e_liu_m_:
‘Currebant au_tem_ duo sim_u_l _et_ ille alius discipulus p_re_cucurrit
cicius Petro _et_ uenit p_ri_or ad monume_n_tu_m_, non t_ame_n
introiuit.’ Uidentes discipuli p_re_d_ic_ti[738] sepulcru_m_ uacuu_m_
_et_ uerbis Marie credentes reu_er_ta_n_t se ad chorum dicentes[739]:
Credendum est magis soli Marie ueraci
Q_uam_ Iudeo_rum_ turbe fallaci!
Tunc audita[740] _Christ_i resurreccione, chorus p_ro_seq_ua_t_ur_ alta
uoce quasi gaude_n_tes _et_ exultantes s_ic_ dicentes[741]:
Scimus _Christu_m surrexisse
A mortuis uere.
Tu nobis, uictor Rex, miserere!
Qua fi_ni_ta, executor officii incipiat:
Te Deum laudamus.
[742]Tu_n_c receda_n_t s_a_n_ctae_ Mar_i_e ap_os_t_ol_i _et_ angelus[742].
S
THE AUREA MISSA OF TOURNAI
[Communicated from _Lille Bibl. Munic. MS._ 62 (sixteenth
century) by L. Deschamps de Pas to the _Annales
archéologiques_, xvii (1857), 167.]
Public-domain text, read in full here on John Shaqi.
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