The mediaeval stage, volume 2 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 2 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
All the places named, Fyfield, Idbury, Milton, Langley, and Lyneham, are
in Wychwood, and may have formed in the thirteenth century, if they do
not all now, part of the parish of Shipton-under-Wychwood.
SHREWSBURY, SHROPSHIRE.
The civic orders and accounts refer occasionally to plays. The first
on record was given before Prince Arthur in 1495. In 1516 the abbot
of Shrewsbury, in 1533 the bishop of Exeter, and in 1542 the royal
commissioners were present. The subject in 1516 was the martyrdoms of
Saints Feliciana and Sabina. In 1518 it was the Three Kings of Cologne.
In 1510, 1518, 1533, 1553, and 1556 the performances were at Whitsuntide.
The bailiffs, according to a notice in 1556, ‘set forward’ the plays, and
the ‘lusores’ belonging to the town, who are mentioned in 1527 and 1549,
were perhaps the performers. The locality was, in 1542, the churchyard of
St. Chad’s. In 1495, 1516, and 1533 it was the quarry outside the walls,
where it is stated in 1570 that ‘the plases have bin accustomyd to be
usyd[902].’ Here there were traces of a seated amphitheatre as late as
1779[903]. Thomas Ashton became master of the free school in 1561, and he
produced plays in the quarry. Elizabeth was to have been at his _Julian
the Apostate_ in 1565, but came too late. In 1567 he gave the _Passion of
Christ_[904]. An undated list of Costs for the Play includes ‘a desert’s
(_disard’s_) hed and berd,’ ‘vi dossen belles’ for a morris, ‘gonne
poudoʳ’ and other attractions for a devil[905].
_Shrewsbury Show._
The craft-guilds took part in the Corpus Christi procession, and the
guild of Mercers inflicted a penalty of 12_d._ on brethren who on that
feast should ‘happen to ride or goe to Coventre Faire or elleswhere
out of the town of Shrewesburye to by or sell[906].’ Until about 1880
Shrewsbury Show was held on the Monday after Corpus Christi day.
The crafts had tableaux which, after the Reformation at least, were
emblematic rather than religious[907]; thus—
Tailors. Adam and Eve or Elizabeth.
Shearmen. St. Blasius or Edward IV.
Skinners and Glovers. King of Morocco.
Smiths. Vulcan.
Painters. Rubens.
Bricklayers. King Henry VIII.
Shoemakers. SS. Crispin and Crispinian.
Barbers. St. Katharine.
Bakers. Venus and Ceres.
SLEAFORD, LINCOLNSHIRE.
The accounts of the guild of Holy Trinity for 1480 include:—
‘It. payd for the Ryginall of ye play for ye Ascencon & the wrytyng of
spechys & payntyng of a garmet for god, iijˢ. viijᵈ.[908]’
Miss Toulmin Smith finds in the same accounts for 1477, a ‘kyngyng,’
i.e. _Three Kings of Cologne_ on Corpus Christi day[909]; but I read the
entry:—
‘It. payd for the ryngyng of ye same day, ijᵈ.’
Public-domain text, read in full here on John Shaqi.
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