The Mediterranean: Its Storied Cities and Venerable RuinsAllen, Grant
History
The Mediterranean: Its Storied Cities and Venerable Ruins
Allen, Grant
Europe, Southern -- Description and travel; Mediterranean Region -- Description and travel
But in the lower town we are still in the Genoa of the olden time. There
is not, indeed, very much to recall the city of the more strictly mediæval
epoch; though two churches date from days before the so-called
"Renaissance," and are good examples of its work. Most of what we now see
belongs to the Genoa of the sixteenth century; or, at any rate, is but
little anterior in age to this. The lower town, however, even where its
buildings are comparatively modern, still retains in plan--in its narrow,
sometimes irregular, streets; in its yet narrower alleys, leading by
flights of steps up the steep hill side; in its crowded, lofty houses; in
its "huddled up" aspect, for perhaps no single term can better express our
meaning--the characteristics of an ancient Italian town. In its streets
even the summer sun--let the proverb concerning the absence of the sun and
the presence of the doctor say what it may--can seldom scorch, and the
bitter north wind loses its force among the maze of buildings. Open spaces
of any kind are rare; the streets, in consequence of their narrowness, are
unusually thronged, and thus produce the idea of a teeming population;
which, indeed, owing to the general loftiness of the houses, is large in
proportion to the area. They are accordingly ill-adapted for the
requirements of modern traffic.
Genoa, like Venice, is noted for its _palazzi_--for the sumptuous
dwellings inhabited by the burgher aristocracy of earlier days, which are
still, in not a few cases, in possession of their descendants. But in
style and in position nothing can be more different. We do not refer to
the obvious distinction that in the one city the highway is water, in the
other it is dry land; or to the fact that buildings in the so-called
Gothic style are common in Venice, but are not to be found among the
mansions of Genoa. It is rather to this, that the Via Nuova, which in this
respect holds the same place in Genoa as the Grand Canal does in Venice,
is such a complete contrast to it, that they must be compared by their
opposites. The latter is a broad and magnificent highway, affording a full
view and a comprehensive survey of the stately buildings which rise from
its margin. The former is a narrow street, corresponding in dimensions
with one of the less important among the side canals in the other city. It
is thus almost impossible to obtain any good idea of the façade of the
Genoese palazzi. The passing traveller has about as much chance of doing
this as he would have of studying the architecture of Mincing Lane; and
even if he could discover a quiet time, like Sunday morning in the City,
he would still have to strain his neck by staring upwards at the
overhanging mass of masonry, and find a complete view of any one building
almost impossible. But so far as these palazzi can be seen, how far do
they repay examination? It is a common-place with travellers to expatiate
on the magnificence of the Via Nuova, and one or two other streets in
Genoa.
Public-domain text, read in full here on John Shaqi.
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