The Mediterranean: Its Storied Cities and Venerable RuinsAllen, Grant
History
The Mediterranean: Its Storied Cities and Venerable Ruins
Allen, Grant
Europe, Southern -- Description and travel; Mediterranean Region -- Description and travel
The great thoroughfare of Alexandria, a fine street running in a straight
line from the western gate of the city to the Place Mehemet Ali, is within
a few minutes of the quay. A sudden turn and this strange mingling of
Eastern and Western life bursts upon the spectator's astonished gaze. This
living diorama, formed by the brilliant and ever-shifting crowd, is in its
way unique. A greater variety of nationalities is collected here than even
in Constantinople or cosmopolitan Algiers. Let us stand aside and watch
this motley collection of all nations, kindreds, and races pouring along
this busy highway. The kaleidoscopic variety of brilliant color and
fantastic costume seems at first a little bewildering. Solemn and
impassive-looking Turks gently ambling past on gaily caparisoned asses,
grinning negroes from the Nubian hills, melancholy-looking fellahs in
their scanty blue kaftans, cunning-featured Levantines, green-turbaned
Shereefs, and picturesque Bedouins from the desert stalking along in
their flowing bernouses, make up the mass of this restless throng.
Interspersed, and giving variety of color to this living kaleidoscope,
gorgeously-arrayed Jews, fierce-looking Albanians, their many-colored
sashes bristling with weapons, and petticoated Greeks. Then, as a pleasing
relief to this mass of color, a group of Egyptian ladies glide past, "a
bevy of fair damsels richly dight," no doubt, but their faces, as well as
their rich attire, concealed under the inevitable yashmak surmounting the
balloon-like trousers. Such are the elements in this mammoth masquerade
which make up the strange and varied picture of Alexandrian street life.
And now we may proceed to visit the orthodox sights, but we have seen the
greatest sight Alexandria has to show us.
[Illustration]
Public-domain text, read in full here on John Shaqi.
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