The Mediterranean: Its Storied Cities and Venerable RuinsAllen, Grant
History
The Mediterranean: Its Storied Cities and Venerable Ruins
Allen, Grant
Europe, Southern -- Description and travel; Mediterranean Region -- Description and travel
One may differ as to the most appropriate metaphors, but all must agree
that there are certain elements of beauty about the Delta landscape. Seen,
as most tourists do see it, in winter or spring, the green fields of
waving corn and barley, the meadows of water-melons and cucumbers, the
fields of pea and purple lupin one mass of colors, interspersed with the
palm-groves and white minarets, which mark the site of the almost
invisible mud villages, and intersected thickly with countless canals and
trenches that in the distance look like silver threads, and suggest
Brobdignagian filigree work, or the delicate tracery of King Frost on our
window-panes, the view is impressive and not without beauty.
In the summer and early autumn, especially during August and September
when the Nile is at its height, the view is more striking though hardly so
beautiful. Then it is that this Protean country offers its most impressive
aspect. The Delta becomes an inland archipelago studded with green
islands, each island crowned with a white-mosqued village, or conspicuous
with a cluster of palms. The Nile and its swollen tributaries are covered
with huge-sailed dahabyehs, which give life and variety to the watery
expanse.
Alexandria can boast of few "lions" as the word is usually understood, but
of these by far the most interesting is the column known by the name of
Pompey's Pillar. Everyone has heard of the famous monolith, which is as
closely associated in people's minds with Alexandria as the Colosseum is
with Rome, or the Alhambra with Granada. It has, of course, no more to do
with the Pompey of history (to whom it is attributed by the unlettered
tourist) than has Cleopatra's Needle with that famous Queen, the "Serpent
of Old Nile"; or Joseph's Well at Cairo with the Hebrew Patriarch. It owes
its name to the fact that a certain prefect, named after Cæsar's great
rival, erected on the summit of an existing column a statue in honor of
the horse of the Roman Emperor Diocletian. There is a familiar legend
which has been invented to account for the special reason of its erection,
which guide-book compilers are very fond of. According to this story,
this historic animal, through an opportune stumble, stayed the persecution
of the Alexandrian Christians, as the tyrannical emperor had sworn to
continue the massacre till the blood of the victims reached his horse's
knees. Antiquarians and Egyptologists are, however, given to scoffing at
the legend as a plausible myth.
Public-domain text, read in full here on John Shaqi.
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