The Mediterranean: Its Storied Cities and Venerable RuinsAllen, Grant
History
The Mediterranean: Its Storied Cities and Venerable Ruins
Allen, Grant
Europe, Southern -- Description and travel; Mediterranean Region -- Description and travel
In this melancholy city of the dead are buried also many of the ruins of
the Serapeum, and scattered about among the tombs are fragments of columns
and broken pedestals. On some of the tombs a green turban is roughly
painted, strangely out of harmony with the severe stone carving. This
signifies that the tomb holds the remains of a descendant of the prophet,
or of a devout Moslem, who had himself, and not vicariously as is so often
done, made the pilgrimage to the sacred city of Mecca. Some of the
head-stones are elaborately carved, but most are quite plain, with the
exception of a verse of the Koran cut in the stone. The observant tourist
will notice on many of the tombs a curious little round hole cut in the
stone at the head, which seems to be intended to form a passage to the
interior of the vault, though the aperture is generally filled up with
earth. It is said that this passage is made to enable the Angel Israfel at
the Resurrection to draw out the occupant by the hair of his head; and the
custom which obtains among the lower class Moslems of shaving the head
with the exception of a round tuft of hair in the middle--a fashion which
suggests an incipient pigtail or an inverted tonsure--is as much due to
this superstition as to sanitary considerations.
Of far greater interest than this comparatively modern cemetery are the
cave cemeteries of El-Meks. These catacombs are some four miles from the
city. The route along the low ridge of sand-hills is singularly
unpicturesque, but the windmills which fringe the shore give a homely
aspect to the country, and serve at any rate to break the monotony of this
dreary and prosaic shore. We soon reach Said Pacha's unfinished palace of
El-Meks, which owes its origin to the mania for building which helped to
make the reign of that weak-minded ruler so costly to his over-taxed
subjects. One glimpse at the bastard style of architecture is sufficient
to remove any feeling of disappointment on being told that the building is
not open to the public. The catacombs, which spread for a long distance
along the seashore, and of which the so-called Baths of Cleopatra are a
part, are very extensive, and tourists are usually satisfied with
exploring a part. There are no mummies, but the niches can be clearly
seen. The plan of the catacombs is curiously like the wards of a key.
There are few "sights" in Alexandria of much interest besides those
already mentioned. In fact, Alexandria is interesting more as a city of
sites than sights. It is true that the names of some of the mosques, such
as that of the One Thousand and One Columns, built on the site of St.
Mark's martyrdom, and the Mosque of St. Athanasius, are calculated to
arouse the curiosity of the tourist: but the interest is in the name
alone. The Mosque of many Columns is turned into a quarantine station, and
the Mosque of St. Athanasius has no connection with the great Father
except that it stands on the site of a church in which he probably
preached.
Public-domain text, read in full here on John Shaqi.
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