The right way for the stranger to enter Marseilles is, therefore, by sea, the old-established high road of her antique commerce. The Old Port and the Cannebière are her front door, while the railway from Paris leads you in at best, as it were, through shabby corridors, by a side entry. Seen from the sea, indeed, Marseilles is superb. I hardly know whether the whole Mediterranean has any finer approach to a great town to display before the eyes of the artistic traveller. All round the city rises a semicircle of arid white hills, barren and bare indeed to look upon; but lighted up by the blue Provençal sky with a wonderful flood of borrowed radiance, bringing out every jutting peak and crag through the clear dry air in distinct perspective. Their sides are dotted with small square white houses, the famous _bastides_ or country boxes of the good Marseillais bourgeois. In front, a group of sunlit rocky isles juts out from the bay, on one of which tower the picturesque bastions of the Chateau d'If, so familiar to the reader of "Monte-Cristo." The foreground is occupied by the town itself, with its forest of masts, and the new dome of its checkered and gaudy Byzantine Cathedral, which has quite supplanted the old cathedral of St. Lazare, of which only a few traces remain. In the middle distance the famous old pilgrimage chapel of Notre Dame de la Garde crowns the summit of a pyramidal hill, with its picturesque mass of confused architecture. Away to right and left, those endless white hills gleam on with almost wearying brightness in the sun for miles together; but full in front, where the eye rests longest, the bustle and commotion of a great trading town teem with varied life upon the quays and landing-places.