The Mediterranean: Its Storied Cities and Venerable RuinsAllen, Grant
History
The Mediterranean: Its Storied Cities and Venerable Ruins
Allen, Grant
Europe, Southern -- Description and travel; Mediterranean Region -- Description and travel
The Palais des Arts, one wing of this monument, encloses the usual French
provincial picture-gallery, with the stereotyped Rubens, and the
regulation Caraccio. It has its Raffael, its Giulio Romano, and its Andrea
del Sarto. It even diverges, not without success, into the paths of Dutch
and Flemish painting. But it is specially rich, of course, in Provençal
works, and its Pugets in particular are both numerous and striking. There
is a good Murillo and a square-faced Holbein, and many yards of modern
French battles and nudities, alternating for the most part from the
sensuous to the sanguinary. But the gem of the collection is a most
characteristic and interesting Perugino, as beautiful as anything from the
master's hand to be found in the galleries of Florence. Altogether, the
interior makes one forgive the façade and the Château d'Eau. One good
Perugino covers, like charity, a multitude of sins of the Marseillais
architects.
Strange to say, old as Marseilles is, it contains to-day hardly any
buildings of remote antiquity. One would be tempted to suppose beforehand
that a town with so ancient and so continuous a history would teem with
Græco-Roman and mediæval remains. As Phocæan colony, imperial town,
mediæval republic, or Provençal city, it has so long been great, famous,
and prosperous that one might not unnaturally expect in its streets to
meet with endless memorials of its early grandeur. Nothing could be
farther from the actual fact. While Nîmes, a mere second-rate provincial
municipality, and Arles, a local Roman capital, have preserved rich
mementoes of the imperial days--temples, arches, aqueducts,
amphitheaters--Marseilles, their mother city, so much older, so much
richer, so much greater, so much more famous, has not a single Roman
building; scarcely even a second-rate mediæval chapel. Its ancient
cathedral has been long since pulled down; of its oldest church but a
spire now remains, built into a vulgar modern pseudo-Gothic Calvary. St.
Victor alone, near the Fort St. Nicolas, is the one really fine piece of
mediæval architecture still left in the town after so many ages.
Public-domain text, read in full here on John Shaqi.
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