The Mediterranean: Its Storied Cities and Venerable RuinsAllen, Grant
History
The Mediterranean: Its Storied Cities and Venerable Ruins
Allen, Grant
Europe, Southern -- Description and travel; Mediterranean Region -- Description and travel
It is a steep climb even now from the Old Port or the Anse des Catalans to
the Colline Notre Dame; several different paths ascend to the summit, all
alike of remote antiquity, and all ending at last in fatiguing steps.
Along the main road, hemmed in on either side by poor southern hovels,
wondrous old witches of true Provençal ugliness drive a brisk trade in
rosaries, and chaplets, and blessed medals. These wares are for the
pilgrim; but to suit all tastes, the same itinerant chapwomen offer to the
more worldly-minded tourist of the Cookian type appropriate gewgaws, in
the shape of photographs, images, and cheap trinkets. At the summit stand
the charred and blackened ruins of Notre Dame de la Garde. Of late years,
indeed, that immemorial shrine has fallen on evil times and evil days in
many matters. To begin with, the needs of modern defence compelled the
Government some years since to erect on the height a fort, which encloses
in its midst the ancient chapel. Even military necessities, however, had
to yield in part to the persistent religious sentiment of the community;
and though fortifications girt it round on every side, the sacred site of
Our Lady remained unpolluted in the center of the great defensive works of
the fortress. Passing through the gates of those massive bastions a
strongly-guarded path still guided the faithful sailor-folk of Marseilles
to the revered shrine of their ancestral Madonna. Nay, more; the antique
chapel of the thirteenth century was superseded by a gorgeous Byzantine
building, from designs by Espérandieu, all glittering with gold, and
precious stones, and jewels. On the topmost belfry stood a gigantic gilded
statue of Our Lady. Dome and apse were of cunning workmanship--white
Carrara marble and African _rosso antico_ draped the interior with
parti-colored splendor. Corsican granite and Esterel porphyry supported
the massive beams of the transepts; frescoes covered every inch of the
walls: the pavement was mosaic, the high altar was inlaid with costly
Florentine stonework. Every Marseilles fisherman rejoiced in heart that
though the men of battle had usurped the sanctuary, their Madonna was now
housed by the sons of the Faithful in even greater magnificence and glory
than ever.
Public-domain text, read in full here on John Shaqi.
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