The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England, Volume 1 (of 6): Mémoires d'outre-tombe, volume 1Chateaubriand, François-René, vicomte de
General
The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England, Volume 1 (of 6): Mémoires d'outre-tombe, volume 1
Chateaubriand, François-René, vicomte de
Chateaubriand, François-René, vicomte de, 1768-1848
"Brigands!" I cried, filled with indignation which I was unable to
contain. "Is that how you understand liberty?"
Had I had a gun, I should have fired at those wretches as at a pack
of wolves. They shouted and yelled; they beat long at the doors of
the gate-way, in the hope of breaking them down and adding my head
to those of their victims. My sisters fainted; the poltroons of the
lodging-house overwhelmed me with reproaches. The murderers, who
were being pursued, had not time to break into the house, and passed
on. Those heads, and others which I saw soon afterwards, changed my
political tendencies; I held the banquets of cannibals in abhorrence,
and the idea of leaving France for some distant country began to take
root in my mind.
*
Recalled to office on the 25th of July, installed and received with
festivities, M. Necker, the third successor, after Calonne and
Taboureau[347], of Turgot[348], was soon left behind by events, and
lapsed into unpopularity. It is one of the singular facts of the
time that so serious a person should have been raised to the post of
minister through the tact of a man noted for such mediocrity and levity
as the Marquis de Pezay[349]. The _Compte rendu_[350], which replaced
in France the system of taxation by that of loans, stirred people's
ideas: women talked of receipts and expenditure; for the first time one
saw, or thought one saw, something in the mechanism of figures. These
calculations, painted in colours laid on _à la Thomas_[351], had first
established the reputation of the director-general of finance. The
banker was a clever accountant, but a resourceless economist; a noble
but turgid writer; an honest man, but devoid of the loftier virtues.
He was like the character which speaks the prologue in a classical
play, and which disappears at the rise of the curtain, after explaining
the piece to the audience. M. Necker was the father of Madame de
Staël[352]: his vanity hardly permitted him to believe that his true
title to the recollection of posterity lay in the fame achieved by his
daughter.
Public-domain text, read in full here on John Shaqi.
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