The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England, Volume 2 (of 6): Mémoires d'outre-tombe, volume 2Chateaubriand, François-René, vicomte de
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The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England, Volume 2 (of 6): Mémoires d'outre-tombe, volume 2
Chateaubriand, François-René, vicomte de
Chateaubriand, François-René, vicomte de, 1768-1848
This is the Byron of heated imaginations: it is by no means, to my
mind, the Byron of truth. Two different men are united in Lord Byron,
as in the majority of men: the man of _nature_ and the man of _system._
The poet, perceiving the part which the public made him play, accepted
it and began to curse the world which at first he had only viewed
dreamily: this progress can be traced in the chronological order of his
works. His _genius_, far from having the extent attributed to it, is
fairly reserved; his poetic thought is no more than a moan, a plaint,
an imprecation; in that quality it is admirable: one must not ask the
lyre what it thinks, but what it sings. His _mind_ is sarcastic and
diversified, but of an exciting nature and a baneful influence: the
writer had read Voltaire to good purpose, and imitates him.
Gifted with every advantage, Lord Byron had little with which to
reproach his birth; the very accident which made him unhappy and which
allied his superiority to the infirmity of mankind ought not to have
vexed him, since it did not prevent him from being loved. The immortal
singer knew from his own case the truth of Zeno's maxim: "The voice is
the flower of beauty."
A deplorable thing is the rapidity with which, nowadays, reputations
pass away. At the end of a few years-what am I saying?--of a few
months, the infatuation disappears and disparagement follows upon
it. Already Lord Byron's glory is seen to pale; his genius is better
understood by ourselves; he will have altars longer in France than
in England. Since _Childe-Harold_ excels mainly in the depicting
of sentiments peculiar to the individual, the English, who prefer
sentiments common to all, will end by disowning the poet whose cry is
so deep and so sad. Let them look to it: if they shatter the image of
the man who has brought them to life again, what will they have left?
*
When, during my sojourn in London, in 1822, I wrote my opinion of
Lord Byron, he had no more than two years to live upon earth: he died
in 1824, at the moment when disenchantment and disgust were about to
commence for him. I preceded him in life; he preceded me in death; he
was called before his turn: my number was higher than his, and yet
his was drawn first. Childe-Harold should have remained; the world
could lose me without noticing my disappearance. On continuing my road
through life, I met Madame Guiccioli[320] in Rome, Lady Byron[321] in
Paris. Frailty and virtue thus appeared to me: the former had perhaps
too many realities, the latter too few dreams.
*
Now, after having talked to you of the English writers, at the period
when England served me as an asylum, it but remains for me to tell you
of England herself at that period, of her appearance, her sites, her
country-seats, her private and political manners.
The whole of England may be seen in the space of four leagues, from
Richmond, above London, down to Greenwich and below.
Public-domain text, read in full here on John Shaqi.
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