Full of oddities and eccentricities, M. Joubert will be an eternal loss to those who knew him. He had an extraordinary grip upon one's mind and heart; and, when once he had seized hold of you, his image was there, like a fixed thought, like an obsession that refused to be driven away. He made great pretensions to calmness, and no one was so easily perturbed as he: he watched himself in order to stop those emotions of the mind, which he thought injurious to his health, and constantly his friends came and disturbed the precautions which he had taken to keep well, for he could not prevent himself from being affected by their sadness or joy: he was an egoist who troubled himself only about others. In order to recover his strength, he often thought himself obliged to close his eyes and refrain from speaking for hours at a time. Heaven knows what noise and movement passed inwardly within him during this repose and silence which he laid upon himself. M. Joubert at every moment changed his diet and regimen, living one day on milk, another on minced meat, causing himself to be jolted at full speed over the roughest roads, or drawn at a snail's pace along the smoothest alleys. When he read, he tore out of his books the leaves which displeased him, thus forming a library for his own use, composed of scooped-out works, contained in bindings too large for them. A profound metaphysician, his philosophy, thanks to an elaboration peculiar to himself, became painting or poetry; a Plato with the heart of a La Fontaine, he had formed an idea of perfection which prevented him from finishing anything. In manuscripts found after his death, he said: "I am like an Æolian harp, which gives forth a few beautiful sounds and plays no tune." Madame Victorine de Chastenay[402] maintained that "he had the appearance of a soul which had met with a body by accident, and put up with it as best it could:" a definition both charming and true.