The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England, Volume 2 (of 6): Mémoires d'outre-tombe, volume 2Chateaubriand, François-René, vicomte de
History
The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England, Volume 2 (of 6): Mémoires d'outre-tombe, volume 2
Chateaubriand, François-René, vicomte de
Chateaubriand, François-René, vicomte de, 1768-1848
The literature which expresses the new era did not commence to reign
until forty or fifty years after the time of which it was the idiom.
During that half-century, it was employed only by the opposition.
It was Madame de Staël, it was Benjamin Constant[437], it was
Lemercier[438], it was Bonald, it was myself, in short, who were the
first to speak that language. The alteration in literature of which
the nineteenth century boasts came to it from the Emigration and from
exile: it was M. de Fontanes who brooded on those birds of a different
species from himself, because, by going back to the seventeenth
century, he had gained the strength of that fertile period and lost the
barrenness of the eighteenth. One portion of the human intelligence,
that which treats of transcendental matters, alone advanced with an
even step with civilisation; unfortunately, the glory of knowledge
was not without stain: the Laplaces[439], the Lagranges[440], the
Monges[441], the Chaptals[442], the Berthollets[443], all the
prodigies, once haughty democrats, became Napoleon's most obsequious
servants. Let it be said to the honour of Letters: the new literature
was free, science was servile; character did not correspond with
genius, and they whose thought had sped to the uppermost sky were not
able to raise their souls above the feet of Bonaparte: they pretended
to have no need of God, that was why they needed a tyrant.
The Napoleonic classic was the genius of the nineteenth century dressed
up in the periwig of Louis XIV., or curled as in the days of Louis
XV. Bonaparte had ordained that the men of the Revolution should not
appear at Court save in full dress, sword at side. One saw nothing
of the France of the moment; it was not order, it was discipline.
Nor could anything be more tiresome than that pale resuscitation of
the literature of former days. That cold copy, that unproductive
anachronism, disappeared when the new literature broke in noisily with
the _Génie du Christianisme._ The death of the Duc d'Enghien had for
me this advantage that, by causing me to step aside, it left me free
in my solitude to follow my own inspiration, and prevented me from
enlisting in the regular infantry of old Pindus: I owed my moral to my
intellectual liberty.
In the last chapter of the _Génie du Christianisme_, I discuss what
would have become of the world if the Faith had not been preached at
the time of the invasion of the Barbarians; in another paragraph,
I speak of an important work to be undertaken on the changes
which Christianity introduced in the laws after the conversion of
Constantine[444].
Public-domain text, read in full here on John Shaqi.
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