Auguste, Madame de Staël's son, had lost his brother killed by a sword-thrust in a duel[395]; he married and had a son: this son, a few months old, followed him into the tomb. With Auguste de Staël the male posterity of an illustrious woman died out, for it does not revive in the honourable, but unknown name of Rocca. [Sidenote: The Duchesse de Chevreuse.] Madame Récamier, left alone and full of regret, first sought a refuge in her native town of Lyons[396]: there she met Madame de Chevreuse[397], another exile. Madame de Chevreuse had been forced by the Emperor and, afterwards, by her own family to enter the new society. You would scarce find an historic name which did not consent to lose its honour rather than a single forest. Once engaged at the Tuileries, Madame de Chevreuse thought she would be able to hold sway in a Court newly-issued from the camps: that Court, it is true, sought to acquaint itself with the airs of olden times, in the hope of covering its recent origin; but the plebeian manner was still too rough to receive lessons from aristocratic impertinence. In a revolution which endures and which has taken its last step, as for instance in Rome, the Patricians, a century after the fall of the Republic, could resign themselves to being no more than the Senate of the Emperors; the past had nought wherewith to reproach the Emperors of the present, since that past was finished; every existence was branded with a like stigma. But in France the nobles who converted themselves into chamberlains were in too great a hurry; the new-born Empire disappeared before them, and they found themselves face to face with the old Monarchy raised to life again. Madame de Chevreuse, attacked by a disease of the chest, begged and was refused the favour of ending her days in Paris; we do not expire when and where we please: Napoleon, who made so many dead, would never have done with them if he had left them the choice of their tomb. Madame Récamier succeeded in forgetting her own sorrows only by interesting herself in those of others; through the charitable connivance of a sister of Mercy, she secretly visited the Spanish prisoners in Lyons. One of them, brave and handsome, a Christian like the Cid, was passing away to God: seated on his straw, he played the guitar; his sword had betrayed his hand. So soon as he caught sight of his benefactress, he sang her ballads of his country, having no other means to thank her. His enfeebled voice and the confused sounds of the instrument were lost in the silence of the prison. The soldier's comrades, half wrapped in their torn cloaks, their black locks hanging over their bronzed and emaciated faces, raised eyes, proud of their Castilian blood, moist with gratitude, on the exile who recalled to them a mother, a sister, a sweetheart, and who bore the yoke of the same tyranny. The Spaniard died. He could say with Zarviska, the young and valorous Polish poet: