The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England, Volume 4 (of 6): Mémoires d'outre-tombe volume 4Chateaubriand, François-René, vicomte de
History
The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England, Volume 4 (of 6): Mémoires d'outre-tombe volume 4
Chateaubriand, François-René, vicomte de
Chateaubriand, François-René, vicomte de, 1768-1848
"To await or go in search of beauty; to see her come towards
us in a wherry and smile to us from amid the waves; to
float with her on the sea, while strewing its surface with
flowers; to follow the enchantress into the recesses of
that wood of myrtles and into the fortunate fields where
Virgil set Elysium; that was the occupation of our days....
Perhaps there are climates dangerous to virtue through their
extreme voluptuousness. And is it not this that an ingenious
fable strove to teach, when telling that Parthenope[432]
was built upon a syren's tomb? The velvet brilliancy of
the country-side, the lukewarm temperature of the air, the
rounded outlines of the mountains, the soft inflexions of the
streams and valleys form at Naples so many seductions for the
senses, which everything tends to rest, nothing to wound....
"To escape the noonday heat, we would retire to that part of
the palace built under the sea. Stretched on beds of ivory,
we listened to the murmuring of the waves above our heads. If
some storm surprised us down in these retreats, the slaves
brought us lamps filled with the most precious nard of Araby.
Then entered young Neapolitan girls, bearing roses of Pæstum
in vases of Nola; while the billows moaned without, they
sang, performing tranquil dances before us which reminded
me of the manners of Greece: thus were realized for us the
fictions of the poets; we seemed in Neptune's cave to be
watching the sports of the Nereids[433]."
Madame Récamier met, at Naples, Count von Neipperg[434] and the Duc
de Rohan-Chabot[435]: one was destined to climb to the eagle's nest,
the other to wear the purple. They said of the latter that he was
devoted to red, having worn the coat of a chamberlain, the uniform of a
light-horseman of the Guard, and the robe of a cardinal.
[Sidenote: The Duc de Rohan.]
The Duc de Rohan was very pretty; he warbled plaintive ballads, painted
little water-colours and was eminent for his coquettish and studied
dress. When he became an abbé, his pious hair, tried by the iron,
had all a martyr's elegance. He used to preach at dusk, in sombre
oratories, before devout women, taking care, with the aid of two or
three artistically-distributed tapers, to light up his pale features in
mezzotint, like a picture[436].
We cannot, at first sight, explain to ourselves how men whose names
rendered them stupid by sheer force of pride came to accept wages from
a parvenu. Looking more closely into this aptness for entering service,
we find that it proceeded naturally from their manners: accustomed
to the domestic condition, little recked they if the livery was
changed, provided the master were lodged at the castle under the same
sign-board. Bonaparte's contempt appraised them at their true value;
the great soldier, abandoned by his own people, said to a great lady:
Public-domain text, read in full here on John Shaqi.
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