The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England. Volume 6 (of 6): Mémoires d'outre-tombe volume 6Chateaubriand, François-René, vicomte de
General
The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England. Volume 6 (of 6): Mémoires d'outre-tombe volume 6
Chateaubriand, François-René, vicomte de
Chateaubriand, François-René, vicomte de, 1768-1848
The multitude dispersed; sellers of "goodies" cried their
_oublies_[309], vendors of trifles hawked about paper mills, which
twirled round in the same wind whose breath had shaken the plumes of
the funeral car.
In the sitting of the Chamber of Deputies of the 20th of May 1834, the
President[310] spoke:
"General La Fayette's name," he said, "will remain famous in our
history.... While expressing to you the sentiments of condolence of
the Chamber, I join to these, sir and dear colleague[311], the private
assurance of my attachment."
After these words, the reporter of the sitting adds, in brackets, the
word, "(Laughter)."
That is what one of the most serious lives is reduced to. What remains
of the death of the greatest men? A grey mantle and a straw cross, as
on the corpse of the Duc de Guise, assassinated at Blois.
Within earshot of the public crier who was selling for a son, at the
gate of the Tuileries Palace, the news of the death of Napoleon, I
heard two quacks shouting the praises of their antidotes; and, in the
_Moniteur_ of the 21st of January 1793, I read the following words
below the account of the execution of Louis XVI.:
"Two hours after the execution, nothing remained to show that he
who had once been the head of the nation had just undergone the
punishment of criminals."
Following on those words came this notice:
"_Ambroise_, comic opera[312]."
The last actor in the drama played fifty years ago, M. de La Fayette
remained upon the scene; the last chorus of the Greek tragedy delivers
the moral of the play:
"Learn, O blind mortals, to turn your eyes upon the last day of life."
And I, a spectator seated in an empty play-house, amid deserted boxes
and extinguished lights, remain alone, of my time, before the lowered
curtain, alone with the silence and the night.
[Sidenote: Armand Carrel.]
Armand Carrel threatened Philip's future even as General La Fayette
beset his past You know how I came to be acquainted with M.
Carrel[313]; since 1832, I did not cease to keep up relations with him
until the day when I followed him to the Cemetery of Saint-Mandé.
Armand Carrel was melancholy; he began to fear that the French were
incapable of a rational feeling of liberty; he had a vague presentiment
of the shortness of his life: as though it were a thing upon which he
did not rely and to which he attached no value, he was always willing
to risk it on a cast of the die. If he had fallen in his duel with
young Laborie[314], about Henry V., his death would at least have had
a great cause and a great stage; probably his funeral would have been
honoured by a great display of bloodshed: he left us for a miserable
quarrel which was not worth a hair of his head.
He was suffering from one of his native attacks of gloom, when he
inserted an article on myself, in the _National_, to which I replied by
the following note:
"PARIS, 5 _May_ 1834.
Public-domain text, read in full here on John Shaqi.
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