The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England. Volume 6 (of 6): Mémoires d'outre-tombe volume 6Chateaubriand, François-René, vicomte de
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The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England. Volume 6 (of 6): Mémoires d'outre-tombe volume 6
Chateaubriand, François-René, vicomte de
Chateaubriand, François-René, vicomte de, 1768-1848
However, an actor creates no illusion, if he is utterly unprovided
with means of fascinating the pit: therefore the prince's life was
a perpetual deception. Knowing what he lacked, he avoided, shunned
whosoever was able to know him: his constant study was not to allow
his measure to be taken; he withdrew into silence at seasonable
times; he concealed himself during the three dumb hours which he
devoted to whist. Men wondered that so great a capacity could descend
to the amusements of the vulgar: who knows if that capacity was not
partitioning empires while sorting the four knaves in his hand?
During those moments of juggling, he inwardly worded some effective
phrase, inspired by a pamphlet of the morning or a conversation of
the evening. If he took you on one side to render you illustrious by
his conversation, his chief manner of seduction was to load you with
praises, to call you the hope of the future, to prophesy brilliant
destinies for you, to give you a bill of exchange as a great man, drawn
upon himself and payable at sight; but, if he thought that your faith
in him was a little open to suspicion, if he perceived that you did not
sufficiently admire a few short sentences with pretensions of depth,
but with nothing behind them, he went away, lest he should allow the
end of his wit to come to the surface. He would have told a good story,
were it not that his jests fell upon an underling or a fool, at whose
cost he amused himself without danger, or upon a victim, attached to
his person, who formed a butt for his jokes. He was unable to keep up a
serious conversation: the third time that he opened his lips, his ideas
evaporated.
Old engravings of the "Abbé de Périgord" represent a very pretty man;
as he grew old, M. de Talleyrand's face had turned into a death's head:
his eyes were dull, so that one had a difficulty in reading them, which
served his purpose. As he had received a great deal of contempt, he had
soaked himself in it and placed it in the two hanging corners of his
mouth.
A great manner, which came from his birth, a strict observance of the
niceties, a cold and disdainful air contributed to keep up the illusion
that surrounded the Prince de Bénévent. His manners exercised an empire
over second-rate people and the men of the new society, to whom the
society of the old days was unknown. Formerly one met persons at every
turn whose ways resembled M. de Talleyrand's, and one took no notice
of them; but, almost alone in the field in the midst of democratic
customs, he appeared a phenomenon: in order to submit to the yoke of
his forms, it suited self-love to ascribe to the minister's wit the
ascendant exercised by his breeding.
Public-domain text, read in full here on John Shaqi.
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