The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England. Volume 6 (of 6): Mémoires d'outre-tombe volume 6Chateaubriand, François-René, vicomte de
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The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England. Volume 6 (of 6): Mémoires d'outre-tombe volume 6
Chateaubriand, François-René, vicomte de
Chateaubriand, François-René, vicomte de, 1768-1848
"You know," she said, "that I asked for you four times? Bugeaud passed
on my demands to d'Argout[208]. D'Argout sent back word to Bugeaud that
he was a fool, that he ought to have refused your admission at once
and on the face of it: he has such good taste, that M. d'Argout."
Madame laid stress on the rhyme of those two words[209], with her
Italian accent.
Meanwhile the rumour of my refusal had spread among our faithful
friends and was beginning to alarm them. Mademoiselle Lebeschu came,
after dinner, to read me a lecture in my room; M. de Saint-Priest,
an intelligent and sensible man, first sent M. Sala to me, and then
replaced him and urged me in his turn: "they had sent M. de La
Ferronnays on to Hradschin, in order to remove the first difficulties.
M. de Montbel had arrived; he had been told to go to Rome to obtain a
copy of the marriage-contract, which was drawn up in due and proper
form and which was in Cardinal Zurla's keeping[210].
"Supposing," continued M. de Saint-Priest, "that Charles X. should
refuse his consent to the deed of majority, would it not be well if
Madame were to obtain a declaration from her son? What should be the
nature of that declaration?"
"A very short Note," I replied, "in which Henry would protest against
Philip's usurpation."
M. de Saint-Priest conveyed my words to Madame. My resistance
continued to occupy the minds of the Princess's environment Madame de
Saint-Priest, with her nobility of sentiment, appeared to entertain
the keenest regret. Madame de Podenas had not lost the habit of that
serene smile which shows her beautiful teeth: her calm was the more
perceptible in the midst of our agitation.
We were not unlike a strolling company of French actors playing at
Ferrara, by permission of the worshipful magistrates of the town,
in the _Fugitive Princess_ or the _Persecuted Mother._ The scene
represented, on the right, Tasso's prison; on the left, Ariosto's
house; at the back, the castle in which the feasts of Leonora and
Alphonsus took place. This royalty without a kingdom; those anxieties
of a Court contained in two wandering carriages and having the Hôtel
des Trois-Couronnes for its palace at night; those State councils held
in a room at an inn: all that completed the variety of the scenes of
my fortune. I put off my knight's helm in the wings and resumed my
straw hat; I travelled with the _de jure_ monarchy rolled up in my
portmanteau, while the _de facto_ monarchy flaunted its baubles at
the Tuileries. Voltaire calls upon all the royalties to spend their
carnival in Venice with Achmet III.[211]: Ivan[212] Emperor of All
the Russias, Charles Edward King of England, the two Kings of the
Polacks[213], Theodore[214] King of Corsica and four Serene Highnesses.
"'Sire, Your Majesty's post-chaise is at Padua, and the bark is
ready.'
"'Sire, Your Majesty may set off when you please.'
Public-domain text, read in full here on John Shaqi.
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