We returned to Rome, and for the three hours that she was with me in my vis-a-vis, Lucrezia had no reason to think that my ardour was at all abated. But when we reached the city I was rather fatigued, and proceeded at once to the palace. Lucrezia had guessed rightly; her husband obtained his judgment three or four days afterwards, and called upon me to announce their departure for the day after the morrow; he expressed his warm friendship for me, and by his invitation I spent the two last evenings with Lucrezia, but we were always surrounded by the family. The day of her departure, wishing to cause her an agreeable surprise, I left Rome before them and waited for them at the place where I thought they would put up for the night, but the advocate, having been detained by several engagements, was detained in Rome, and they only reached the place next day for dinner. We dined together, we exchanged a sad, painful farewell, and they continued their journey while I returned to Rome. After the departure of this charming woman, I found myself in sort of solitude very natural to a young man whose heart is not full of hope. I passed whole days in my room, making extracts from the French letters written by the cardinal, and his eminence was kind enough to tell me that my extracts were judiciously made, but that he insisted upon my not working so hard. The beautiful marchioness was present when he paid me that compliment. Since my second visit to her, I had not presented myself at her house; she was consequently rather cool to me, and, glad of an opportunity of making me feel her displeasure, she remarked to his eminence that very likely work was a consolation to me in the great void caused by the departure of Donna Lucrezia. "I candidly confess, madam, that I have felt her loss deeply. She was kind and generous; above all, she was indulgent when I did not call often upon her. My friendship for her was innocent." "I have no doubt of it, although your ode was the work of a poet deeply in love." "Oh!" said the kindly cardinal, "a poet cannot possibly write without professing to be in love." "But," replied the marchioness, "if the poet is really in love, he has no need of professing a feeling which he possesses." As she was speaking, the marchioness drew out of her pocket a paper which she offered to his eminence. "This is the ode," she said, "it does great honour to the poet, for it is admitted to be a masterpiece by all the literati in Rome, and Donna Lucrezia knows it by heart." The cardinal read it over and returned it, smiling, and remarking that, as he had no taste for Italian poetry, she must give herself the pleasure of translating it into French rhyme if she wished him to admire it. "I only write French prose," answered the marchioness, "and a prose translation destroys half the beauty of poetry. I am satisfied with writing occasionally a little Italian poetry without any pretension to poetical fame."