The Memoirs of Jacques Casanova de Seingalt, 1725-1798. Volume 26: SpainCasanova, Giacomo
History
The Memoirs of Jacques Casanova de Seingalt, 1725-1798. Volume 26: Spain
Casanova, Giacomo
Casanova, Giacomo, 1725-1798; Europe -- History -- 18th century -- Biography
I lost no time in exordiums, but came to the point at once, by saying
that as a lover of paintings I had been grieved at finding the
magnificent Madonna spoilt.
"Very likely," he replied, "but it was exactly the physical beauty of the
picture that rendered it in my eyes unfit to represent one whose aspect
should purify and purge the senses, instead of exciting them. Let all the
pictures in the world be destroyed, if they be found to have caused the
commission of one mortal sin."
"Who allowed you to commit this mutilation? The Venetian State
Inquisitors, even M. Barberigo, though he is a devout man, would have put
you under the Leads for such a deed. The love of Paradise should not be
allowed to interfere with the fine arts, and I am sure that St. Luke
himself (who was a painter, as you know) would condemn you if he could
come to life again."
"Sir, I needed no one's leave or license. I have to say mass at that
altar every day, and I am not ashamed to tell you that I was unable to
consecrate. You are a man and a Christian, you can excuse my weakness.
That voluptuous picture drew away my thoughts from holy things."
"Who obliged you to look at it?"
"I did not look at it; the devil, the enemy of God, made me see it in
spite of myself."
"Then you should have mutilated yourself like Origen. Your generative
organs, believe me, are not so valuable as the picture you have ruined."
"Sir, you insult me."
"Not at all, I have no intention of doing so."
That young priest shewed me the door with such brusqueness that I felt
sure he would inform against me to the Inquisition. I knew he would have
no difficulty in finding out my name, so I resolved to be beforehand with
him.
Both my fear and my resolve were inspired by an incident which I shall
mention as an episode.
A few days before, I had met a Frenchman named Segur, who had just come
out of the prisons of the Inquisition. He had been shut up for three
years for committing the following crime:
In the hall of his house there was a fountain, composed of a marble basin
and the statue of a naked child, who discharged the water in the same way
as the well-known statue of Brussels, that is to say, by his virile
member. The child might be a Cupid or an Infant Jesus, as you pleased,
but the sculptor had adorned the head with a kind of aureole; and so the
fanatics declared that it was a mocking of God.
Poor Segur was accused of impiety, and the Inquisition dealt with him
accordingly.
I felt that my fault might be adjudged as great as Segur's, and not
caring to run the risk of a like punishment I called on the bishop, who
held the office of Grand Inquisitor, and told him word for word the
conversation I had had with the iconoclast chaplain. I ended by craving
pardon, if I had offended the chaplain, as I was a good Christian, and
orthodox on all points.
Public-domain text, read in full here on John Shaqi.
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