The Memoirs of Jacques Casanova de Seingalt, Vol. I (of VI), "Venetian Years": The First Complete and Unabridged English Translation, Illustrated with Old EngravingsCasanova, Giacomo
History
The Memoirs of Jacques Casanova de Seingalt, Vol. I (of VI), "Venetian Years": The First Complete and Unabridged English Translation, Illustrated with Old Engravings
Casanova, Giacomo
Casanova, Giacomo, 1725-1798; Europe -- History -- 18th century -- Biography
I left Madame Orio to take supper with my brother Francois, who resided with a painter called Guardi; he was, like me, much oppressed by the tyranny of Grimani, and I promised to deliver him. Towards midnight I returned to the two amiable sisters who were expecting me with their usual loving impatience, but, I am bound to confess it with all humility, my sorrows were prejudicial to love in spite of the fortnight of absence and of abstinence. They were themselves deeply affected to see me so unhappy, and pitied me with all their hearts. I endeavoured to console them, and assured them that all my misery would soon come to an end, and that we would make up for lost time.
In the morning, having no money, and not knowing where to go, I went to St. Mark’s Library, where I remained until noon. I left it with the intention of dining with Madame Manzoni, but I was suddenly accosted by a soldier who informed me that someone wanted to speak to me in a gondola to which he pointed. I answered that the person might as well come out, but he quietly remarked that he had a friend at hand to conduct me forcibly to the gondola, if necessary, and without any more hesitation I went towards it. I had a great dislike to noise or to anything like a public exhibition. I might have resisted, for the soldiers were unarmed, and I would not have been taken up, this sort of arrest not being legal in Venice, but I did not think of it. The ‘sequere deum’ was playing its part; I felt no reluctance. Besides, there are moments in which a courageous man has no courage, or disdains to shew it.
I enter the gondola, the curtain is drawn aside, and I see my evil genius, Razetta, with an officer. The two soldiers sit down at the prow; I recognize M. Grimani’s own gondola, it leaves the landing and takes the direction of the Lido. No one spoke to me, and I remained silent. After half-an-hour’s sailing, the gondola stopped before the small entrance of the Fortress St. Andre, at the mouth of the Adriatic, on the very spot where the Bucentaur stands, when, on Ascension Day, the doge comes to espouse the sea.
The sentinel calls the corporal; we alight, the officer who accompanied me introduces me to the major, and presents a letter to him. The major, after reading its contents, gives orders to M. Zen, his adjutant, to consign me to the guard-house. In another quarter of an hour my conductors take their departure, and M. Zen brings me three livres and a half, stating that I would receive the same amount every week. It was exactly the pay of a private.
Public-domain text, read in full here on John Shaqi.
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