The Memoirs of Jacques Casanova de Seingalt, Vol. I (of VI), "Venetian Years": The First Complete and Unabridged English Translation, Illustrated with Old EngravingsCasanova, Giacomo
History
The Memoirs of Jacques Casanova de Seingalt, Vol. I (of VI), "Venetian Years": The First Complete and Unabridged English Translation, Illustrated with Old Engravings
Casanova, Giacomo
Casanova, Giacomo, 1725-1798; Europe -- History -- 18th century -- Biography
I had no difficulty in answering the various questions which Doctor Gennaro addressed to me, but I was surprised, and even displeased, at the constant peals of laughter with which he received my answers. The piteous description of miserable Calabria, and the picture of the sad situation of the Bishop of Martorano, appeared to me more likely to call forth tears than to excite hilarity, and, suspecting that some mystification was being played upon me, I was very near getting angry when, becoming more composed, he told me with feeling that I must kindly excuse him; that his laughter was a disease which seemed to be endemic in his family, for one of his uncles died of it.
“What!” I exclaimed, “died of laughing!”
“Yes. This disease, which was not known to Hippocrates, is called li flati.”
“What do you mean? Does an hypochondriac affection, which causes sadness and lowness in all those who suffer from it, render you cheerful?”
“Yes, because, most likely, my flati, instead of influencing the hypochondrium, affects my spleen, which my physician asserts to be the organ of laughter. It is quite a discovery.”
“You are mistaken; it is a very ancient notion, and it is the only function which is ascribed to the spleen in our animal organization.”
“Well, we must discuss the matter at length, for I hope you will remain with us a few weeks.”
“I wish I could, but I must leave Naples to-morrow or the day after.”
“Have you got any money?”
“I rely upon the sixty ducats you have to give me.”
At these words, his peals of laughter began again, and as he could see that I was annoyed, he said, “I am amused at the idea that I can keep you here as long as I like. But be good enough to see my son; he writes pretty verses enough.”
And truly his son, although only fourteen, was already a great poet.
A servant took me to the apartment of the young man whom I found possessed of a pleasing countenance and engaging manners. He gave me a polite welcome, and begged to be excused if he could not attend to me altogether for the present, as he had to finish a song which he was composing for a relative of the Duchess de Rovino, who was taking the veil at the Convent of St. Claire, and the printer was waiting for the manuscript. I told him that his excuse was a very good one, and I offered to assist him. He then read his song, and I found it so full of enthusiasm, and so truly in the style of Guidi, that I advised him to call it an ode; but as I had praised all the truly beautiful passages, I thought I could venture to point out the weak ones, and I replaced them by verses of my own composition. He was delighted, and thanked me warmly, inquiring whether I was Apollo. As he was writing his ode, I composed a sonnet on the same subject, and, expressing his admiration for it he begged me to sign it, and to allow him to send it with his poetry.
Public-domain text, read in full here on John Shaqi.
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