A few days after that delightful fishing and bathing party by moonlight, I called upon Yusuf early in the morning; as it was raining, I could not go to the garden, and I went into the dining-room, in which I had never seen anyone. The moment I entered the room, a charming female form rose, covering her features with a thick veil which fell to the feet. A slave was sitting near the window, doing some tambour-work, but she did not move. I apologized, and turned to leave the room, but the lady stopped me, observing, with a sweet voice, that Yusuf had commanded her to entertain me before going out. She invited me to be seated, pointing to a rich cushion placed upon two larger ones, and I obeyed, while, crossing her legs, she sat down upon another cushion opposite to me. I thought I was looking upon Zelmi, and fancied that Yusuf had made up his mind to shew me that he was not less courageous than Ismail. Yet I was surprised, for, by such a proceeding, he strongly contradicted his maxims, and ran the risk of impairing the unbiased purity of my consent by throwing love in the balance. But I had no fear of that, because, to become enamoured, I should have required to see her face. “I suppose,” said the veiled beauty, “that you do not know who I am?” “I could not guess, if I tried.” “I have been for the last five years the wife of your friend, and I am a native of Scio. I was thirteen years of age when I became his wife.” I was greatly astonished to find that my Mussulman philosopher had gone so far as to allow me to converse with his wife, but I felt more at ease after I had received that information, and fancied that I might carry the adventure further, but it would be necessary to see the lady’s face, for a finely-dressed body, the head of which is not seen, excites but feeble desires. The fire lighted by amorous desires is like a fire of straw; the moment it burns up it is near its end. I had before me a magnificent appearance, but I could not see the soul of the image, for a thick gauze concealed it from my hungry gaze. I could see arms as white as alabaster, and hands like those of Alcina, ‘dove ne nodo appasisce ne vena accede’, and my active imagination fancied that all the rest was in harmony with those beautiful specimens, for the graceful folds of the muslin, leaving the outline all its perfection, hid from me only the living satin of the surface; there was no doubt that everything was lovely, but I wanted to see, in the expression of her eyes, that all that my imagination created had life and was endowed with feeling. The Oriental costume is a beautiful varnish placed upon a porcelain vase to protect from the touch the colours of the flowers and of the design, without lessening the pleasure of the eyes.