The Memoirs of Jacques Casanova de Seingalt, Vol. II (of VI), "To Paris and Prison": The First Complete and Unabridged English Translation, Illustrated with Old EngravingsCasanova, Giacomo
History
The Memoirs of Jacques Casanova de Seingalt, Vol. II (of VI), "To Paris and Prison": The First Complete and Unabridged English Translation, Illustrated with Old Engravings
Casanova, Giacomo
Casanova, Giacomo, 1725-1798; Europe -- History -- 18th century -- Biography
“Ah, sir!” she exclaimed, “what an answer!”
“Perhaps it is not the right one; but that will sometimes happen, madam.”
“Not the right one, sir? It is divine! Here it is: That pomatum has no effect upon the skin of a woman who has been a mother.”
“I do not see anything extraordinary in that answer, madam.”
“Very likely, sir, but it is because you do not know that the pomatum in question was given to me five years ago by the Abbe de Brosses; it cured me at that time, but it was ten months before the birth of the Duke de Montpensier. I would give anything in the world to be thoroughly acquainted with that sublime cabalistic science.”
“What!” said the count, “is it the pomatum the history of which I know?”
“Precisely.”
“It is astonishing.”
“I wish to ask one more question concerning a woman the name of whom I would rather not give.”
“Say the woman whom I have in my thoughts.”
She then asked this question: “What disease is that woman suffering from?” She made the calculation, and the answer which I made her bring forth was this: “She wants to deceive her husband.” This time the duchess fairly screamed with astonishment.
It was getting very late, and I was preparing to take leave, when M. de Melfort, who was speaking to her highness, told me that we might go together. When we were out, he told me that the cabalistic answer concerning the pomatum was truly wonderful. This was the history of it:
“The duchess, pretty as you see her now, had her face so fearfully covered with pimples that the duke, thoroughly disgusted, had not the courage to come near her to enjoy his rights as a husband, and the poor princess was pining with useless longing to become a mother. The Abbe de Brosses cured her with that pomatum, and her beautiful face having entirely recovered it original bloom she made her appearance at the Theatre Francais, in the queen’s box. The Duke de Chartres, not knowing that his wife had gone to the theatre, where she went but very seldom, was in the king’s box. He did not recognize the duchess, but thinking her very handsome he enquired who she was, and when he was told he would not believe it; he left the royal box, went to his wife, complimented her, and announced his visit for the very same night. The result of that visit was, nine months afterwards, the birth of the Duke of Montpensier, who is now five years old and enjoys excellent health. During the whole of her pregnancy the duchess kept her face smooth and blooming, but immediately after her delivery the pimples reappeared, and the pomatum remained without any effect.”
As he concluded his explanation, the count offered me a tortoise-shell box with a very good likeness of her royal highness, and said,
“The duchess begs your acceptance of this portrait, and, in case you would like to have it set she wishes you to make use of this for that purpose.”
Public-domain text, read in full here on John Shaqi.
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