He went back to Paris only when he felt certain that he could set criticism at defiance; I shall say hereafter how it was that we both reached that city about the same time. But before that period, dear, reader, you will see what good and adverse fortune did for or against me. My life in Dresden until the end of the carnival in 1753 does not offer any extraordinary adventure. To please the actors, and especially my mother, I wrote a kind of melodrama, in which I brought out two harlequins. It was a parody of the ‘Freres Ennemis’, by Racine. The king was highly amused at the comic fancies which filled my play, and he made me a beautiful present. The king was grand and generous, and these qualities found a ready echo in the breast of the famous Count de Bruhl. I left Dresden soon after that, bidding adieu to my mother, to my brother Francois, and to my sister, then the wife of Pierre Auguste, chief player of the harpsichord at the Court, who died two years ago, leaving his widow and family in comfortable circumstances. My stay in Dresden was marked by an amorous souvenir of which I got rid, as in previous similar circumstances, by a diet of six weeks. I have often remarked that the greatest part of my life was spent in trying to make myself ill, and when I had succeeded, in trying to recover my health. I have met with equal success in both things; and now that I enjoy excellent health in that line, I am very sorry to be physically unable to make myself ill again; but age, that cruel and unavoidable disease, compels me to be in good health in spite of myself. The illness I allude to, which the Italians call ‘mal francais’, although we might claim the honour of its first importation, does not shorten life, but it leaves indelible marks on the face. Those scars, less honourable perhaps than those which are won in the service of Mars, being obtained through pleasure, ought not to leave any regret behind. In Dresden I had frequent opportunities of seeing the king, who was very fond of the Count de Bruhl, his minister, because that favourite possessed the double secret of shewing himself more extravagant even than his master, and of indulging all his whims. Never was a monarch a greater enemy to economy; he laughed heartily when he was plundered and he spent a great deal in order to have occasion to laugh often. As he had not sufficient wit to amuse himself with the follies of other kings and with the absurdities of humankind, he kept four buffoons, who are called fools in Germany, although these degraded beings are generally more witty than their masters. The province of those jesters is to make their owner laugh by all sorts of jokes which are usually nothing but disgusting tricks, or low, impertinent jests.