The Memoirs of Jacques Casanova de Seingalt, Vol. III (of VI), "The Eternal Quest": The First Complete and Unabridged English Translation, Illustrated with Old EngravingsCasanova, Giacomo
History
The Memoirs of Jacques Casanova de Seingalt, Vol. III (of VI), "The Eternal Quest": The First Complete and Unabridged English Translation, Illustrated with Old Engravings
Casanova, Giacomo
Casanova, Giacomo, 1725-1798; Europe -- History -- 18th century -- Biography
The subsidies which the French Crown was foolish enough to pay him for a perfectly useless service did not suffice for his extravagant expenses. He loaded his subjects with taxes till the patient people could bear it no longer, and some years after had recourse to the Diet of Wetzlar, which obliged him to change his system. He was foolish enough to wish to imitate the King of Prussia, while that monarch made fun of the duke, and called him his ape. His wife was the daughter of the Margrave of Bayreuth, the prettiest and most accomplished princess in all Germany. When I had come to Stuttgart she was no longer there; she had taken refuge with her father, on account of a disgraceful affront which had been offered her by her unworthy husband. It is incorrect to say that this princess fled from her husband because of his infidelities.
After I had dined by myself, I dressed and went to the opera provided gratis by the duke in the fine theatre he had built. The prince was in the front of the orchestra, surrounded by his brilliant Court. I sat in a box on the first tier, delighted to be able to hear so well the music of the famous Jumella, who was in the duke’s service. In my ignorance of the etiquette of small German Courts I happened to applaud a solo, which had been exquisitely sung by a castrato whose name I have forgotten, and directly afterwards an individual came into my box and addressed me in a rude manner. However, I knew no German, and could only answer by ‘nich verstand’--“I don’t understand.”
He went out, and soon after an official came in, who told me, in good French, that when the sovereign was present all applause was forbidden.
“Very good, sir. Then I will go away and come again when the sovereign is not here, as when an air pleases me I always applaud.”
After this reply I called for my carriage, but just as I was getting into it the same official came and told me that the duke wanted to speak to me. I accordingly followed him to the presence.
“You are M. Casanova, are you?” said the duke.
“Yes, my lord.”
“Where do you come from?”
“From Cologne.”
“Is this the first time you have been to Stuttgart?”
“Yes, my lord.”
“Do you think of staying long?”
“For five or six days, if your highness will allow me.”
“Certainly, you may stay as long as you like, and you may clap when you please.”
“I shall profit by your permission, my lord.”
“Good.”
I sat down again, and the whole audience settled down to the play. Soon after, an actor sung an air which the duke applauded, and of course all the courtiers, but not caring much for the song I sat still--everyone to his taste. After the ballet the duke went to the favourite’s box, kissed her hand, and left the theatre. An official, who was sitting by me and did not know that I was acquainted with the Gardella, told me that as I had had the honour of speaking to the prince I might obtain the honour of kissing his favourite’s hand.
Public-domain text, read in full here on John Shaqi.
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