The Memoirs of Jacques Casanova de Seingalt, Vol. III (of VI), "The Eternal Quest": The First Complete and Unabridged English Translation, Illustrated with Old EngravingsCasanova, Giacomo
History
The Memoirs of Jacques Casanova de Seingalt, Vol. III (of VI), "The Eternal Quest": The First Complete and Unabridged English Translation, Illustrated with Old Engravings
Casanova, Giacomo
Casanova, Giacomo, 1725-1798; Europe -- History -- 18th century -- Biography
This woman was a widow, aged between thirty and forty years, of a jaundiced complexion, and a piercing and malicious aspect. In her efforts to hide the inequality of her legs, she walked with a stiff and awkward air; and, wishing to be thought a wit, she increased her natural dullness by a ceaseless flow of small talk. I persisted in behaving towards her with a great air of respect, and one day she said that, having seen me in the disguise of a waiter, she would not have thought I was a man of a timid nature.
“In what respect do you think me timid?” said I; to which she gave me no answer, but I knew perfectly well what she meant. I was tired of my part, and I had determined to play it no more when we had acted L’Ecossaise.
All the best people at Soleure were present at our first performance. The lame lady was delighted with the horror inspired by her acting; but she might credit a great deal of it to her appearance. M. de Chavigni drew forth the tears of the audience, his acting was said to be better than the great Voltaire’s. As for me, I remember how near I was to fainting when, in the third scene of the fifth act, Lindane said to me,
“What! You! You dare to love me?”
She pronounced these words with such fiery scorn that all the spectators applauded vehemently. I was almost put out of countenance, for I thought I detected in her voice an insult to my honour. However, I collected myself in the minute’s respite which the loud applause gave me, and I replied,--
“Yes; I adore you! How should I not?”
So pathetically and tenderly did I pronounce these words that the hall rang again with the applause, and the encores from four hundred throats made me repeat the words which, indeed, came from my heart.
In spite of the pleasure we had given to the audience, we judged ourselves not perfect in our parts, and M. de Chavigni advised us to put off our second performance for a couple of days.
“We will have a rehearsal to-morrow at my country house,” said he, “and I beg the favour of all your companies to dinner there.”
Public-domain text, read in full here on John Shaqi.
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