The Memoirs of Jacques Casanova de Seingalt, Vol. III (of VI), "The Eternal Quest": The First Complete and Unabridged English Translation, Illustrated with Old EngravingsCasanova, Giacomo
History
The Memoirs of Jacques Casanova de Seingalt, Vol. III (of VI), "The Eternal Quest": The First Complete and Unabridged English Translation, Illustrated with Old Engravings
Casanova, Giacomo
Casanova, Giacomo, 1725-1798; Europe -- History -- 18th century -- Biography
Although I had taken no great notice of her, I could see that she possessed all the qualifications a man could desire in a woman: fine features, lively eyes, a pretty mouth, and an excellent row of teeth, a healthy complexion, a well-rounded bosom, a curved back, and all else in the same sort. I certainly thought her hands might have been softer, but their hardness was probably due to hard work. Furthermore, she was only eighteen, and yet I remained cold to all her charms. How was that? That was the question I asked myself; and I think the reason probably was that she was too natural, too devoid of those assumed graces and coquettish airs which women employ with so much art for the seduction of men. We only care for artifice and false show. Perhaps, too, our senses, to be irritated, require woman’s charms to be veiled by modesty. But if, accustomed as we are to clothe ourselves, the face is the smallest factor in our perfect happiness, how is it that the face plays the principal part in rendering a man amorous? Why do we take the face as an index of a woman’s beauty, and why do we forgive her when the covered parts are not in harmony with her features? Would it not be much more reasonable and sensible to veil the face, and to have the rest of the body naked? Thus when we fall in love with a woman, we should only want, as the crown of our bliss, to see a face answerable to those other charms which had taken our fancy. There can be no doubt that that would be the better plan, as in that case we should only be seduced by a perfect beauty, and we should grant an easy pardon if at the lifting of the mask we found ugliness instead of loveliness. Under those circumstances an ugly woman, happy in exercising the seductive power of her other charms, would never consent to unveil herself; while the pretty ones would not have to be asked. The plain women would not make us sigh for long; they would be easily subdued on the condition of remaining veiled, and if they did consent to unmask, it would be only after they had practically convinced one that enjoyment is possible without facial beauty. And it is evident and undeniable that inconstancy only proceeds from the variety of features. If a man did not see the face, he would always be constant and always in love with the first woman who had taken his fancy. I know that in the opinion of the foolish all this will seem folly, but I shall not be on the earth to answer their objections.
When I had left the bath, she wiped me with towels, put on my shirt, and then in the same state--that is, quite naked, she did my hair.
Public-domain text, read in full here on John Shaqi.
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