The Memoirs of Jacques Casanova de Seingalt, Vol. V (of VI), "In London and Moscow": The First Complete and Unabridged English Translation, Illustrated with Old EngravingsCasanova, Giacomo
History
The Memoirs of Jacques Casanova de Seingalt, Vol. V (of VI), "In London and Moscow": The First Complete and Unabridged English Translation, Illustrated with Old Engravings
Casanova, Giacomo
Casanova, Giacomo, 1725-1798; Europe -- History -- 18th century -- Biography
“Sir,” he replied in very tolerable Italian, “no one can give a positive answer to that question, for every week some sect dies and some new one is brought into being. All that is necessary is for a man of good faith, or some rogue desirous of money or notoriety, to stand in some frequented place and begin preaching. He explains some texts of the Bible in his own fashion, and if he pleases the gapers around him they invite him to expound next Sunday, often in a tavern. He keeps the appointment and explains his new doctrines in a spirited manner. Then people begin to talk of him; he disputes with ministers of other sects; he and his followers give themselves a name, and the thing is done. Thus, or almost thus, are all the numerous English sects produced.”
About this time M. Steffano Guerra, a noble Venetian who was travelling with the leave of his Government, lost a case against an English painter who had executed a miniature painting of one of the prettiest ladies in London, Guerra having given a written promise to pay twenty-five guineas. When it was finished Guerra did not like it, and would not take it or pay the price. The Englishman, in accordance with the English custom, began by arresting his debtor; but Guerra was released on bail, and brought the matter before the courts, which condemned him to pay the twenty-five guineas. He appealed, lost again, and was in the end obliged to pay. Guerra contented that he had ordered a portrait, that a picture bearing no likeness to the lady in question was not a portrait, and that he had therefore a right to refuse payment. The painter replied that it was a portrait as it had been painted from life. The judgment was that the painter must live by his trade, and that as Guerra had given him painting to do he must therefore provide him with the wherewithal to live, seeing that the artist swore he had done his best to catch the likeness. Everybody thought this sentence just, and so did I; but I confess it also seemed rather hard, especially to Guerra, who with costs had to pay a hundred guineas for the miniature.
Malingan’s daughter died just as her father received a public box on the ear from a nobleman who liked piquet, but did not like players who corrected the caprices of fortune. I gave the poor wretch the wherewithal to bury his daughter and to leave England. He died soon after at Liege, and his wife told me of the circumstance, saying that he had expired regretting his inability to pay his debts.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account