The Memoirs of Jacques Casanova de Seingalt, Vol. V (of VI), "In London and Moscow": The First Complete and Unabridged English Translation, Illustrated with Old EngravingsCasanova, Giacomo
History
The Memoirs of Jacques Casanova de Seingalt, Vol. V (of VI), "In London and Moscow": The First Complete and Unabridged English Translation, Illustrated with Old Engravings
Casanova, Giacomo
Casanova, Giacomo, 1725-1798; Europe -- History -- 18th century -- Biography
I decided to use the ticket, for I felt that I should like to be present at so numerous an assembly, and as I had my domino still by me a mask was all I wanted. I went to the palace in a sedan-chair, and found an immense crowd assembled, and dancing going on in several halls in each of which an orchestra was stationed. There were long counters loaded with eatables and drinkables at which those who were hungry or thirsty ate or drank as much as they liked. Gaiety and freedom reigned everywhere, and the light of a thousand wax candles illuminated the hall. Everything was wonderful, and all the more so from its contrast with the cold and darkness that were without. All at once I heard a masquer beside me say to another,--
“There’s the czarina.”
We soon saw Gregory Orloff, for his orders were to follow the empress at a distance.
I followed the masquer, and I was soon persuaded that it was really the empress, for everybody was repeating it, though no one openly recognized her. Those who really did not know her jostled her in the crowd, and I imagined that she would be delighted at being treated thus, as it was a proof of the success of her disguise. Several times I saw her speaking in Russian to one masquer and another. No doubt she exposed her vanity to some rude shocks, but she had also the inestimable advantage of hearing truths which her courtiers would certainly not tell her. The masquer who was pronounced to be Orloff followed her everywhere, and did not let her out of his sight for a moment. He could not be mistaken, as he was an exceptionally tall man and had a peculiar carriage of the head.
I arrested my progress in a hall where the French square dance was being performed, and suddenly there appeared a masquer disguised in the Venetian style. The costume was so complete that I at once set him down as a fellow-countryman, for very few strangers can imitate us so as to escape detection. As it happened, he came and stood next to me.
“One would think you were a Venetian,” I said to him in French.
“So I am.”
“Like myself.”
“I am not jesting.”
“No more am I.”
“Then let us speak in Venetian.”
“Do you begin, and I will reply.”
We began our conversation, but when he came to the word Sabato, Saturday, which is a Sabo in Venetian, I discovered that he was a real Venetian, but not from Venice itself. He said I was right, and that he judged from my accent that I came from Venice.
“Quite so,” said I.
“I thought Bernadi was the only Venetian besides myself in St. Petersburg.”
“You see you are mistaken.”
“My name is Count Volpati di Treviso.”
“Give me your address, and I will come and tell you who I am, for I cannot do so here.”
“Here it is.”
After leaving the count I continued my progress through this wonderful hall, and two or three hours after I was attracted by the voice of a female masquer speaking Parisian French in a high falsetto, such as is common at an opera ball.
Public-domain text, read in full here on John Shaqi.
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