The Memoirs of Jacques Casanova de Seingalt, Vol. V (of VI), "In London and Moscow": The First Complete and Unabridged English Translation, Illustrated with Old EngravingsCasanova, Giacomo
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The Memoirs of Jacques Casanova de Seingalt, Vol. V (of VI), "In London and Moscow": The First Complete and Unabridged English Translation, Illustrated with Old Engravings
Casanova, Giacomo
Casanova, Giacomo, 1725-1798; Europe -- History -- 18th century -- Biography
At last Panin told me to walk in a garden frequented by her majesty at an early hour, and he said that meeting me, as it were by chance, she would probably speak to me. I told him I should like him to be with her, and he accordingly named a day.
I repaired to the garden, and as I walked about I marvelled at the statuary it contained, all the statues being made of the worst stone, and executed in the worst possible taste. The names cut beneath them gave the whole the air of a practical joke. A weeping statue was Democritus; another, with grinning mouth, was labelled Heraclitus; an old man with a long beard was Sappho; and an old woman, Avicenna; and so on.
As I was smiling at this extraordinary collection, I saw the czarina, preceded by Count Gregorius Orloff, and followed by two ladies, approaching. Count Panin was on her left hand. I stood by the hedge to let her pass, but as soon as she came up to me she asked, smilingly, if I had been interested in the statues. I replied, following her steps, that I presumed they had been placed there to impose on fools, or to excite the laughter of those acquainted with history.
“From what I can make out,” she replied, “the secret of the matter is that my worthy aunt was imposed on, and indeed she did not trouble herself much about such trifles. But I hope you have seen other things in Russia less ridiculous than these statues?”
I entertained the sovereign for more than an hour with my remarks on the things of note I had seen in St. Petersburg. The conversation happened to turn on the King of Prussia, and I sang his praises; but I censured his terrible habit of always interrupting the person whom he was addressing. Catherine smiled and asked me to tell her about the conversation I had had with this monarch, and I did so to the best of my ability. She was then kind enough to say that she had never seen me at the Courtag, which was a vocal and instrumental concert given at the palace, and open to all. I told her that I had only attended once, as I was so unfortunate as not to have a taste for music. At this she turned to Panin, and said smilingly that she knew someone else who had the same misfortune. If the reader remembers what I heard her say about music as she was leaving the opera, he will pronounce my speech to have been a very courtier-like one, and I confess it was; but who can resist making such speeches to a monarch, and above all, a monarch in petticoats?
The czarina turned from me to speak to M. Bezkoi, who had just come up, and as M. Panin left the garden I did so too, delighted with the honour I had had.
Public-domain text, read in full here on John Shaqi.
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