Three o’clock struck, and I took them back to the convent, well enough pleased with the progress I had made, though I had only increased my passion. I was surer than ever that Armelline was born to exercise an irresistible sway over every man who owed fealty to beauty. I was amongst her liegemen, and am so still, but the incense is all gone and the censer of no value. I could not help reflecting on the sort of glamour which made me fall in love with one who seemed all new to me, while I loved her in exactly the same manner as I had loved her predecessor. But in reality there was no real novelty; the piece was the same, though the title might be altered. But when I had won what I coveted, did I realize that I was going over old ground? Did I complain? Did I think myself deceived? Not one whit; and doubtless for this reason, that whilst I enjoyed the piece I kept my eyes fixed on the title which had so taken my fancy. If this be so, of what use is title at all? The title of a book, the name of a dish, the name of a town--of what consequence are all these when what one wants is to read the book, to eat the dish, and to see the town. The comparison is a sophism. Man becomes amorous through the senses, which, touch excepted, all reside in the head. In love a beautiful face is a matter of the greatest moment. A beautiful female body might well excite a man to carnal indulgence, even though the head were covered, but never to real love. If at the moment of physical delight the covering were taken away, and a face of hideous, revolting ugliness disclosed, one would fly in horror, in spite of the beauties of the woman’s body. But the contrary does not hold good. If a man has fallen in love with a sweet, enchanting face, and succeeds in lifting the veil of the sanctuary only to find deformities there, still the face wins the day, atones for all, and the sacrifice is consummated. The face is thus paramount, and hence it has come to be agreed that women’s bodies shall be covered and their faces disclosed; while men’s clothes are arranged in such a way that women can easily guess at what they cannot see. This arrangement is undoubtedly to the advantage of women; art can conceal the imperfections of the face, and even make it appear beautiful, but no cosmetic can dissemble an ugly breast, stomach, or any other part of the man body. In spite of this, I confess that the phenomerides of Sparta were in the right, like all women who, though they possess a fine figure, have a repulsive face; in spite of the beauty of the piece, the title drives spectators away. Still an interesting face is an inseparable accident of love. Thrice happy are they who, like Armelline, have beauty both in the face and body. When I got home I was so fortunate as to find Margarita in a deep sleep. I took care not to awake her, and went to bed with as little noise as possible. I was in want of rest, for I no longer enjoyed the vigour of youth, and I slept till twelve.