The Memoirs of Madame Vigée LebrunVigée-Lebrun, Louise-Elisabeth
History
The Memoirs of Madame Vigée Lebrun
Vigée-Lebrun, Louise-Elisabeth
Painters -- France -- Biography; Portrait painting, French -- 18th century; Vigée-Lebrun, Louise-Elisabeth, 1755-1842
I had accomplished but half of the journey whose second part was to be
more fatiguing than the first. Not that there were any high hills, but
the road consisted of perpetual ups and downs--which I called torture.
The climax to my annoyance was that I could not amuse myself with a
view of the country through which I was travelling, since a thick fog
veiled the scene on all sides, and this always depresses me. If one
considers, besides these tribulations, the diet I was restricted to
after I had eaten my piece of bread, it will readily be conceived that
I must have found the road very long.
At length I arrived in the former immense capital of Russia. I seemed
to be entering Ispahan, of which place I had seen several drawings, so
much does the aspect of Moscow differ from everything else in Europe.
Nor will I attempt to describe the effect of those thousands of gilded
cupolas surmounted with huge gold crosses, those broad streets, those
superb palaces, for the most part situated so far asunder that
villages intervened. To obtain a right idea of Moscow, you must see
it.
I was driven to the mansion which M. Dimidoff had been kind enough to
lend me. This enormous building had in front of it a large courtyard
surrounded by very high railings. It was untenanted, and I promised
myself perfect peace. After all my fatigue and my forced diet, my
first concern, as soon as I had appeased my hunger, was, of course, to
sleep. But, bad luck to it! at five o'clock in the morning I was
awakened with a start by an infernal din. A large troop of those
Russian musicians who only blow one note each on their horns had
established themselves in the room next to mine to practise. Perhaps
the room was very spacious and the only one suitable for this kind of
rehearsal. I was careful to inquire of the porter if this music was
played every day. Upon his answer that, the palace being uninhabited,
the largest apartment had been devoted to this purpose, I resolved to
make no change in the customs of a house that was not my own, and to
look for another lodging.
In one of my first expeditions I called on the Countess Strogonoff,
the wife of my good old friend. I found her hoisted on the top of some
very high affair which did nothing but rock to and fro. I could not
imagine how she could endure this perpetual motion, but she wanted it
for her health, as she was unable to walk. But this did not prevent
her being agreeable to me. I spoke to her of the embarrassment I was
in on account of lodgings. She at once told me she had a pretty house
that was not occupied, and begged me to accept it, but because she
would hear nothing of my paying a rent, I positively declined the
offer. Seeing that her efforts were in vain, she sent for her
daughter, who was very pretty, and asked me to paint this young
person's portrait in payment of rent, to which I agreed with pleasure.
Thus, a few days later, I settled in a house where I hoped to find
quiet, since I was to live there alone.
Public-domain text, read in full here on John Shaqi.
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