The Memoirs of Madame Vigée LebrunVigée-Lebrun, Louise-Elisabeth
History
The Memoirs of Madame Vigée Lebrun
Vigée-Lebrun, Louise-Elisabeth
Painters -- France -- Biography; Portrait painting, French -- 18th century; Vigée-Lebrun, Louise-Elisabeth, 1755-1842
At the moment I was to get into the post-chaise that was to convey me
to the inn near my place of embarkation, the charming Mme. Grassini
appeared on the scene. I thought she had simply come to bid me
farewell, but she declared she wished to take me to the inn, and made
me get into her carriage, which I found full of pillows and packages.
"What is all this for?" I inquired. "You are not aware, then," she
replied, "that you are going to the worst inn of the world? You may
have to wait there a week or more if the wind is not favourable, and I
have made up my mind to stay with you." I can hardly say how moved I
was at this token of affection. The beautiful woman was leaving the
pleasures of London and her friends, to say nothing of the host of
admirers always in her train, merely to keep me company. To me this
seemed lovable, and I have never forgotten it.
It was a great joy to me to see my friends once more, and especially
my daughter. Her husband, whom she had accompanied to France, was
charged by Prince Narischkin with the mission of engaging musical
artists for St. Petersburg. He left a few months later, but alone--for
love, alas! had long since vanished--and my daughter remained, to my
great satisfaction. To her misfortune and mine, my child had a very
quick temper; besides, I had not been able to instil into her
completely my own distaste for bad company. Add to this that--whether
through my own fault or not--her power over my mind was great, and I
had none over hers, and it will be understood how she sometimes made
me shed bitter tears. Still, she was my daughter. Her beauty, her
gifts, her cleverness rendered her as fascinating as possible, and,
though I mourned because I could not persuade her to come to live with
me, since she persisted in seeing certain people I would not receive,
I at any rate saw her every day, and that in itself was a great
blessing.
One evening I arranged some living pictures of a kind which had won
warm approval in St. Petersburg, and, being careful to place behind
the gauze none but handsome men and pretty women, the result was
charming. Another day I painted on a screen several head-dresses of
historic characters, making holes under them for the insertion of a
face. The conversation passing with those who put in their heads
amused us vastly. Robert, who took part in all our gaieties like a
schoolboy, put his face under Ninon's head-dress, which made us laugh
like mad. All these particulars may seem childish to-day, when evening
parties are taken up with talking politics or playing cards, but some
of us had not yet lost the habit of enjoying ourselves, and the fact
is, we enjoyed ourselves very much. After all, these pleasures were
well worth the cards of Parisian and the stifling routs of London
drawing-rooms.
Public-domain text, read in full here on John Shaqi.
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