The beauty of Princess Dolgoruki struck me very much. Her features had the Greek character mixed with something Jewish, especially in profile. Her long, dark chestnut hair, carelessly taken up, touched her shoulders. Her figure was perfect, and in her whole person she exhibited at once nobility and grace without the least affectation. She received me with so much amiability and civility that I willingly acceded to her request that I might stay a week with her. The charming Princess Kurakin, whose acquaintance I had made, was living with the Princess Dolgoruki, these ladies and Count Cobentzel keeping house together. The company was very numerous, and no one thought of anything but amusement. After dinner we took delightful rides in handsome boats furnished with red velvet, gold-fringed curtains. A choir, preceding us in a plainer boat, charmed us with their singing, which was always perfectly exact, even at the highest notes. The day of my arrival we had music in the evening; the next day there was a delightful play. Dalayrac's "Underground" was given. Princess Dolgoruki played the part of Camille; young De la Ribaussiere, who afterward became minister in Russia, played the boy; and Count Cobentzel, the gardener. I remember how, during the performance, a messenger arrived from Vienna with despatches for the Count, who was Austrian Ambassador at St. Petersburg, and how, at the sight of the man dressed as a gardener, he did not want to give up the despatches, this giving rise to a most diverting argument between them behind the scenes. At the end of the week, the whole of which had seemed to last but a minute, I was obliged, to my regret, to leave the hospitable roof of Princess Dolgoruki, as I had made a number of engagements to paint portraits. I, however, formed several connections at Alexandrovski which proved infinitely agreeable during my whole stay in Russia.