The Memoirs of Madame Vigée LebrunVigée-Lebrun, Louise-Elisabeth
History
The Memoirs of Madame Vigée Lebrun
Vigée-Lebrun, Louise-Elisabeth
Painters -- France -- Biography; Portrait painting, French -- 18th century; Vigée-Lebrun, Louise-Elisabeth, 1755-1842
The Russians are clever and capable, since they learn all trades with
great ease, some of them even gaining success in the arts. One day, at
Count Strogonoff's, I saw an architect who had once been his serf.
This young man exhibited so much talent that the Count made a present
of him to the Emperor Paul, who made him one of his architects and
ordered him to build a theatre-hall after the plans designed and
submitted by him. I never saw the hall, but was told that it was very
handsome. In the matter of artistic serfs I was less fortunate than
the Count. As I found myself without a man-servant, after being robbed
by one I had brought from Vienna, Count Strogonoff gave me one of his
serfs, who was supposed to prepare his daughter-in-law's palette and
clean her brushes when she amused herself with painting. This youth,
whom I therefore engaged for the same purpose, became persuaded, after
serving me for a fortnight, that he was a painter, too, and gave me no
rest until I had obtained his freedom from the Count to enable him to
work with the Academy students. He wrote me some letters on this
subject that were really curiosities of style and ideas. The Count, in
yielding to my request, had said, "You may be sure that before long he
will want to come back." I gave the young man twenty rubles and the
Count gave him at least as much. Accordingly, he at once hastened to
purchase the uniform of the students in painting, and thus attired
came to thank me with a triumphant air. About two months later he
brought me a large family picture, which was so bad that I could not
look at it, and for which the poor young man had been paid so little
that, after liquidating all his expenses, he had lost eight rubles of
his money. As the Count had foreseen, his disappointment made him
surrender his wretched liberty and go back to his master.
The servants are remarkable for their intelligence. I had one who knew
not a word of French, and although I was equally ignorant of Russian
we understood each other perfectly without the agency of speech. By
raising my arm I asked him for my easel, or my paint box, or otherwise
conveyed to him by gesture what articles I wanted. He invariably
seized my meaning, and was of the greatest value to me. Another very
precious quality I discovered in him was his honesty, which was proof
against all temptations. Frequently bank-notes were remitted to me in
payment of my pictures, and when I was busy painting I laid them near
me on a table. On quitting work I constantly forgot to take away the
notes, which sometimes lay there three or four days without his ever
abstracting one. Moreover, he was a man of exceptional sobriety; I
never once saw him drunk. This good servant was called Peter; he wept
when I left St. Petersburg, and I have always sincerely regretted
losing him.
Public-domain text, read in full here on John Shaqi.
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