The Memoirs of Madame Vigée LebrunVigée-Lebrun, Louise-Elisabeth
History
The Memoirs of Madame Vigée Lebrun
Vigée-Lebrun, Louise-Elisabeth
Painters -- France -- Biography; Portrait painting, French -- 18th century; Vigée-Lebrun, Louise-Elisabeth, 1755-1842
The reason why even Paul's most favourable whims were not reassuring
for the future was that no man was ever more changeable in his tastes
and affections. At the beginning of his reign, for instance, he
loathed Bonaparte. Later on he conceived such a great tenderness for
him that a portrait of the French hero was kept in his sanctuary and
he exhibited it to every one. Neither his dislike nor his favour was
lasting. Count Strogonoff, I believe, is the only person he always
loved and esteemed. He was not known to have favourites among the
gentlemen of the court, but was very fond of a French actor called
Frogeres, who was not without talent and rather clever. Frogeres went
into the Emperor's study at all hours unannounced; they were often
seen walking together in the gardens arm in arm, chatting on the
subject of French literature, for which Paul had a strong fancy,
particularly our drama. This actor was often invited to the small
court gatherings, and as he was highly gifted in the art of joking, he
made the greatest lords the object of jokes, which amused the Emperor
very much, but which probably were very slightly amusing to those at
whose expense they were made. The Grand Dukes themselves were not safe
from Frogeres's naughty pleasantries; in fact, after the death of
Paul, he did not venture to appear at the palace. The Emperor
Alexander, walking alone one day in the streets of Moscow, met him and
called to him. "Frogeres, why have you not been to see me?" the
Emperor asked him with affable air. "Sire," replied Frogeres, freed
from his fears, "I did not know Your Majesty's address." The Emperor
laughed a great deal over this piece of nonsense, and munificently
paid the French actor some arrears in salary which the poor man had up
till then not dared to claim.
Public-domain text, read in full here on John Shaqi.
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